[N. P.]: The William Blake Trust, 2009. William Blake. Facsimile. Folio, 95pp. Original quarter-maroon calf with black moiré silk-covered boards, with gilt lettered maroon-morocco label to top board, the spine also stamped in gilt; tongue and strap portfolio in full maroon calf containing 19 watercolours reproduced in facsimile, mounted within... More

Clairvaux: Trianon Press, 1978. Facsimile. half morocco. Oblong folio, original half brown morocco folding case, lettered in gilt. Contains A second folding linen case and oblong folio book. The interior folding case contains, each in its own paper portfolio, The Reimpression from the Original Copperplate (1 plate), the Complete Set... More

Clairvaux: Trianon Press, 1969. Facsimile. Folio, 17 colour plates, 9 pp. of commentary plus extra material: 23 additional proof sheets, 22 progressive plates, original stencil and guide sheet. Full brown morocco over boards with slipcase. This fasimile was made from copies held by Mrs Landon Thorne and Lord Cunliffe. The... More

Clairvaux: Trianon Press. Hand stencil (pochoir) prints in various sizes on hand-mould paper. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing as closely as possible the illuminated works of William Blake. The project was born between Blake Trustee Sir Geoffrey Keynes and... More

Clairvaux: Trianon Press, 1975. Facsimile. Quarto, 8 plates, 8 pp. commentary by Keynes with another plate, and 22 additional progressive proof plates, and with a metal pochoir stencil mounted at the end. Full brown morocco, a fine copy in slipcase. Special publisher's de luxe copy. Copy B of 26 lettered... More

Clairvaux: Trianon Press, 1959. Facsimile. Folio, 11 plates, 7 pp. text [Geoffrey Keynes], plus the extra materials: 11 plates in monochrome and a suite of 26 progressive states of one plate. Full orange morocco, marbled slipcase, some foxing internally and to the edges. Limited to 446 copies of which this... More

Clairvaux: Trianon Press, 1971. Quarter calf. Small folio, 72 pages, with 16 colour facsimile leaves, suites of progressive plates, and 116 monochrome illustrations. Marbled boards, morocco spine, slipcase, internally fine. Spine is lightly sunned with a small stain. Limited to 28 copies so inscribed and signed by Geoffrey Keynes (this... More

London: Bensley for Ackermann, 1813 [i.e. 1870]. William Blake. Quarto, (2), liv, 42 pp. With a portrait frontispiece, etched titlepage, typographical title page, dedication to the Queen, list of subscribers, biographical sketch of Blair, the poem and 11 plates with tissue guards. Gilt-stamped and blind-stamped and lettered cloth. Top edge... More

Clairvaux: Trianon Press, 1977. Quarter morocco. Quarto, 155pp. Original quarter brown morocco, slipcase. Bookplate for Elaine Harwood Klemen at the front pastedown. Limited to 26 copies for the Trustees, of a total edition of 562 copies, with this being 94. Fine in Fine slipcase. More

London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. Brown stain on rock under the seated official. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his... More

London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions. From 102 illustrations... More

London: 1927. The soft wraps are toned and pushed along the edges and corners, with a couple of minor (2mm) tears. 2 volumes, quarto. Songs of Innocence: 28 hand coloured plates, copied from the "Beaconsfield" original in the British Museum by Joseph Patrick Trumble, Muir, and William Muir. Songs of... More

London: John Linnell, March 8, 1825 [i.e. London: John Linnell, 1874]. posthumous printing. Large folio, title-page and 21 plates printed on India paper. Mounted on large sheets as issued, enclosed in a blue linen folder within a blue morocco box lettered in gilt. The box is slightly worn at the... More