[N. P.]: The William Blake Trust, 2009. William Blake. Facsimile. Folio, 95pp. Original quarter-maroon calf with black moiré silk-covered boards, with gilt lettered maroon-morocco label to top board, the spine also stamped in gilt; tongue and strap portfolio in full maroon calf containing 19 watercolours reproduced in facsimile, mounted within..... More

Clairvaux: Trianon Press, 1978. Facsimile. half morocco. Oblong folio, original half brown morocco folding case, lettered in gilt. Contains A second folding linen case and oblong folio book. The interior folding case contains, each in its own paper portfolio, The Reimpression from the Original Copperplate (1 plate), the Complete Set..... More

Clairvaux: Trianon Press, 1969. Facsimile. Folio, 17 colour plates, 9 pp. of commentary plus extra material: 23 additional proof sheets, 22 progressive plates, original stencil and guide sheet. Full brown morocco over boards with slipcase. This fasimile was made from copies held by Mrs Landon Thorne and Lord Cunliffe. The..... More

Clairvaux: Trianon Press. Hand stencil (pochoir) prints in various sizes on hand-mould paper. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing as closely as possible the illuminated works of William Blake. The project was born between Blake Trustee Sir Geoffrey Keynes and..... More

Clairvaux: Trianon Press, 1975. Facsimile. Quarto, 8 plates, 8 pp. commentary by Keynes with another plate, and 22 additional progressive proof plates, and with a metal pochoir stencil mounted at the end. Full brown morocco, a fine copy in slipcase. Special publisher's de luxe copy. Copy B of 26 lettered..... More

Liverpool: Henry Young and Sons, Ltd., 1923. Limited edition. Facsimile, small quarto (19.5 x 14.2cm); 8pp (half title, limitation page, title, blank, publisher's note); 54 illustated leaves (rectos only); oatmeal cloth spine over blue paper boards, rectangular paper label on spine and on the top board. The text pages unopened, slight..... More

Clairvaux: Trianon Press, 1972. 3 volumes, folio, with 116 colour facsimile leaves reproduced by collotype and hand-stencil colour, the text of the poems reproduced from copperplate with 3 additional printings to reproduce Blake’s pencilings and the tone of the paper. Marbled boards, morocco spines, slipcases, a fine set as issued..... More

Clairvaux: Trianon Press, 1958. Facsimile. Quarto, 27 plates, 5pp text, plus the extra materials, top edge gilt. Full red morocco, spine very slightly faded. Slipcase showing moderate edge-wear. Limited to 526 copies of which this is copy XV of XX copies with a suite of progressive states of one plate..... More

London: Bensley for Cromek, 1808. William Blake. First Folio. Three quarter morocco. Folio, xiv, 36, (4) pp. marbled endpapers, a.e.g., with an etched portrait frontispiece after Phillips printed on India paper and an etched title-page (both moderately foxed), typographical title page, dedication to the Queen, List of Subscribers, the poem..... More

London: 1821. 2 vols., small octavo, xii (lacking vii/viii), 12, xxiv ( lacking i - iv), 214 pp; [I], [215]-592 pp. With an engraved frontispiece to each volume, and 230 illustrations including three maps (two folding), 17 woodcuts and 6 engraved plates by Blake, and four other designs by Blake..... More

London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions. From 102 illustrations..... More

London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. A foxed copy. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions..... More

London: Bodley Head, 1967. Small octavo, 19pp, [2]. Near fine in pictorial french fold wraps, saddle stitched, with 9 sepia illustrations to the text by Maurice Sendak. Privately issued. First and only edition, limited to 275 copies printed as a gift from the publishers. One of Sendak’s rarest and most..... More