[N. P.]: The William Blake Trust, 2009. William Blake. Facsimile. Folio, 95pp. Original quarter-maroon calf with black moiré silk-covered boards, with gilt lettered maroon-morocco label to top board, the spine also stamped in gilt; tongue and strap portfolio in full maroon calf containing 19 watercolours reproduced in facsimile, mounted within... More about William Blake’s Watercolour Inventions in Illustration of The Grave by Robert Blair; Edited...

Clairvaux: Trianon Press, 1978. Facsimile. half morocco. Oblong folio, original half brown morocco folding case, lettered in gilt. Contains A second folding linen case and oblong folio book. The interior folding case contains, each in its own paper portfolio, The Reimpression from the Original Copperplate (1 plate), the Complete Set... More about Blake's Illustrations of Dante

Clairvaux: Trianon Press, 1969. Facsimile. Folio, 17 colour plates, 9 pp. of commentary plus extra material: 23 additional proof sheets, 22 progressive plates, original stencil and guide sheet. Full brown morocco over boards with slipcase. This fasimile was made from copies held by Mrs Landon Thorne and Lord Cunliffe. The... More about Europe a Prophecy

Clairvaux: Trianon Press. Hand stencil (pochoir) prints in various sizes on hand-mould paper. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing as closely as possible the illuminated works of William Blake. The project was born between Blake Trustee Sir Geoffrey Keynes and... More about Individual Facsimile Prints from the Trianon Press

Clairvaux: Trianon Press, 1975. Facsimile. Quarto, 8 plates, 8 pp. commentary by Keynes with another plate, and 22 additional progressive proof plates, and with a metal pochoir stencil mounted at the end. Full brown morocco, a fine copy in slipcase. Special publisher's de luxe copy. Copy B of 26 lettered... More about The Song of Los

Clairvaux: Trianon Press, 1959. Facsimile. Folio, 11 plates, 7 pp. text [Geoffrey Keynes], plus the extra materials: 11 plates in monochrome and a suite of 26 progressive states of one plate. Full orange morocco, marbled slipcase, some foxing internally and to the edges. Limited to 446 copies of which this... More about Visions of the Daughters of Albion

Clairvaux: Trianon Press, 1971. Quarter calf. Small folio, 72 pages, with 16 colour facsimile leaves, suites of progressive plates, and 116 monochrome illustrations. Marbled boards, morocco spine, slipcase, internally fine. Spine is lightly sunned with a small stain. Limited to 28 copies so inscribed and signed by Geoffrey Keynes (this... More about Water-Colour Designs For The Poems Of Thomas Gray. A Facsimile with Introduction and Commentary...

London: Bensley for Ackermann, 1813 [i.e. 1870]. William Blake. Quarto, (2), liv, 42 pp. With a portrait frontispiece, etched titlepage, typographical title page, dedication to the Queen, list of subscribers, biographical sketch of Blair, the poem and 11 plates with tissue guards. Gilt-stamped and blind-stamped and lettered cloth. Top edge... More about The Grave, A Poem.; Illustrated by twelve Etchings executed by Louis Schiavonetti, from the...

Clairvaux: Trianon Press, 1977. Quarter morocco. Quarto, 155pp. Original quarter brown morocco, slipcase. Bookplate for Elaine Harwood Klemen at the front pastedown. Limited to 26 copies for the Trustees, of a total edition of 562 copies, with this being 94. Fine in Fine slipcase. More about The Complete Portraiture of William and Catherine Blake

London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. Brown stain on rock under the seated official. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his... More about Blake's Illustrations of Dante. Plate 2:"Circle of the Corrupt Officilas, the Devil's...

London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions. From 102 illustrations... More about Blake's Illustrations of Dante. Plate 5: “Circle of Thieves. Buoso Donati attacked by the...

Chichester: J. Seagrave, for Richard Phillips, 1805. William Blake. First Edition. Small 8vo, pp. 4 (blank), (8), 212, 1 (Index), 3 (blank). With 5 engraved plates by Blake after his own designs. Early 20th-century calf, with gilt and red morocco label on the spine, gilt edges, marbled endpapers, R.E. Gathorne-Hardy’s... More about Ballads. Founded on Anecdotes Relating to Animals, with Prints Designed and Engraved by William...

London: Bodley Head, 1967. Small octavo, 19pp, [2]. Near fine in pictorial french fold wraps, saddle stitched, with 9 sepia illustrations to the text by Maurice Sendak. Privately issued. First and only edition, limited to 275 copies printed as a gift from the publishers. One of Sendak’s rarest and most... More about Poems from William Blake’s Songs of Innocence. Drawings by Maurice Sendak