Seoul: National Museum of Modern and Contemporary Art Foundation, 2014. White paper covered boards with typographical design. Quarto, 33 x 25.5 cm, 561 pp., ill., plan. “The inaugural exhibition of MMCA, Seoul, which was specifically prepared for its opening, consists of Connecting_Unfolding, an exhibition featuring the collaborative efforts of an..... More
London and New York: Phaidon Press, 2011. Abridged Edition. Large format hardcover (33 x 27cm); pp. 196, richly illustrated with both colour and black and white photography; red gloss paper covered boards with lettering in black; grey endpapers; pictorial dustwrapper, white spine with lettering in black, lettering in white on..... More
Cambridge: Heffer, 1970. First Edition. Paperback. Oblong small folio, viii, 88 pp., colour frontispiece and 74 illustrations. Original wrappers, gently bumped at top right corner. First edition (also issued in cloth). Bentley, Blake Books, 703. More
Cloth. Apple green cloth, paper label on top board, original glassine wrapper in good condition, tan eps, unpaginated (October 1974 – September 1975). Underlining, parentheses and marginalia by Billy Jones. Very Good. More
[N. P.]: The William Blake Trust, 2009. William Blake. Facsimile. Folio, 95pp. Original quarter-maroon calf with black moiré silk-covered boards, with gilt lettered maroon-morocco label to top board, the spine also stamped in gilt; tongue and strap portfolio in full maroon calf containing 19 watercolours reproduced in facsimile, mounted within..... More
Clairvaux: Trianon Press, 1976. Facsimile. Quarto, 5 colour plates and commentary. Quarter brown morocco, marbled paper boards, slipcase. Number 11 of an edition of 538 copies, printed on Arches pure rag paper made to match the paper used by Blake. Thirty-two copies were bound in full morocco and showed progressive..... More
Clairvaux: Trianon Press, 1987. Folio, 22 facsimile hand coloured plates, loose in a folder as issued. Near fine (first plate has a bent corner) in a near fine (slightly rubbed) folder. The publication of Blake's last completed set of engravings formed an appropriate finale to the William Blake Trust's scheme..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary slightly (approximately 37 x 29cm), print size of plate 15 is 23.3 x 16.7cm Currently one copy each of plates 1, 2, 3, 4, 5, 6, 8, 10, 11, 12, 13, 14, 15 and 16 are available. The..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 37 x 28.5cm), print size plate 18 is 22 x 16.1cm Currently one copy each of plates 2, 4, 6, 8, 9, 14, 15, 18, 19, 21, 22, 23, 24, 25, and one unnumbered plate are available..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 37 x 28.5cm), print size plate 21 is 21 x 15cm Currently one copy each of plates 2, 4, 6, 8, 9, 14, 15, 18, 19, 21, 22, 23, 24, 25, and one unnumbered plate are available..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 37 x 28.5cm), print size plate 22 is 21 x 15cm Currently one copy each of plates 2, 4, 6, 8, 9, 14, 15, 18, 19, 21, 22, 23, 24, 25, and one unnumbered plate are available..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 37 x 28.5cm), print size plate 8 is 22 x 16cm Currently one copy each of plates 2, 4, 6, 8, 9, 14, 15, 18, 19, 21, 22, 23, 24, 25, and one unnumbered plate are available..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 11 is 23.5 x 17.6cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 51 is 17.6 x 24.1cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 64 is 21.2 x 15.4cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 92 is 21.5 x 15.9cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary slightly (approximately 39 x 30cm), print size of plate 18 is 21.5 x 16.5cm Currently one copy each of plates 1, 2, 9, 11, 13, 18, 20 and 21 are available. The Blake Trust established the Trianon Press..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary slightly (approximately 39 x 30cm), print size of plate 2 is 21.5 x 16.5cm Currently one copy each of plates 1, 2, 9, 11, 13, 18, 20 and 21 are available. The Blake Trust established the Trianon Press..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary slightly (approximately 39 x 30cm), print size of plate 9 is 21.5 x 16.5cm Currently one copy each of plates 1, 2, 9, 11, 13, 18, 20 and 21 are available. The Blake Trust established the Trianon Press..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 40 x 28cm), print size plate 10 is 14.7 x 10cm Currently one copy each of plates 1, 2, 3, 4, 5, 10, 14, 15, 16 and 20 are available. The Blake Trust established the Trianon Press..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary, print size plate 5 is 17 x 12cm Currently one copy each of plates 5, 10, 16, 24 and 25 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing..... More
Clairvaux: Trianon Press, 1974. Facsimile. Folio, 25 colour plates, 8 proofs, and 9pp of commentary by Geoffrey Kaeynes at the end, eight colour facsimile trial proofs, twelve pages of text plus an extra suite of fourteen states of plate B, collotype profs, and a matching guide-sheet and stencil. Original full..... More
London: Bensley for Ackermann, 1813 [i.e. 1870]. William Blake. Third Edition. Quarto, (2), liv, 42 pp. With a portrait frontispiece, etched titlepage, typographical title page, dedication to the Queen, list of subscribers, biographical sketch of Blair, the poem and 11 plates with tissue guards. Gilt-stamped and blind-stamped and lettered cloth..... More
Clairvaux: Trianon Press, 1977. Quarter morocco. Quarto, 155pp. Original quarter brown morocco, slipcase. Bookplate for Elaine Harwood Klemen at the front pastedown. Limited to 26 copies for the Trustees, of a total edition of 562 copies, with this being 94. Fine in Fine slipcase. More
Roseville East: Craftsman House, 1995. Octavo, 29 x 26cm, apricot canvas boards with brick red title on spine, illustrated dust jacket ("Memory of Temple Downs" 1992), 160pp, 40 colour plates and 31 black and white figures. Robert Grieve (1924 - 2006) made significant contributions to the Australian contemporary art scene..... More