London: Trianon Press. Hand stencil (pochoir) prints in various sizes on hand-mould paper. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing as closely as possible the illuminated works of William Blake. The project was born between Blake Trustee Sir Geoffrey Keynes and... More
London: Trianon Press, 1987. Folio, 22 facsimile hand coloured plates, loose in a folder as issued. Near fine (first plate has a bent corner) in a near fine (slightly rubbed) folder.. The publication of Blake's last completed set of engravings formed an appropriate finale to the William Blake Trust's scheme... More
![Songs of Innocence [with] Songs of Experience. Muir facsimile, William Blake.](/pictures/thumb/453_Muir_10copy.jpg?v=1547507235)
London: 1927. The soft wraps are toned and pushed along the edges and corners, with a couple of minor (2mm) tears. 2 volumes, quarto. Songs of Innocence: 28 hand coloured plates, copied from the "Beaconsfield" original in the British Museum by Joseph Patrick Trumble, Muir, and William Muir. Songs of... More
London: Printed by W. Eyres, for J. Johnson, 178, 1780. Full calf. The Speaker. The sixth edition, corrected. Warrington: Printed by W. Eyres, for J. Johnson, 1781. Octavo, 21 x 13cm, full calf with narrow gilt border on boards, spine divided into six panels with elaborate gilt tooled devices except... More