Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary, print size plate 5 is 17 x 12cm Currently one copy each of plates 5, 10, 16, 24 and 25 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing..... More
Clairvaux: Trianon Press, 1974. Facsimile. Folio, 25 colour plates, 8 proofs, and 9pp of commentary by Geoffrey Kaeynes at the end, eight colour facsimile trial proofs, twelve pages of text plus an extra suite of fourteen states of plate B, collotype profs, and a matching guide-sheet and stencil. Original full..... More
Clairvaux: Trianon Press, 1975. Facsimile. Quarto, 8 plates, 8 pp. commentary by Keynes with another plate, and 22 additional progressive proof plates, and with a metal pochoir stencil mounted at the end. Full brown morocco, a fine copy in slipcase. Special publisher's de luxe copy. Copy B of 26 lettered..... More
Manchester Etching Workshop, 1983. Facsimile. 2 vols., large and smaller quarto, the larger bound in full red morocco, the smaller loose in wrappers as issued, both enclosed in brown cloth folding boxes, new as issued. With an additional folder containing one facsimile plate and the Viscomi text. Some of the..... More
Liverpool: Henry Young and Sons, Ltd., 1923. Limited edition. Facsimile, small quarto (19.5 x 14.2cm); 8pp (half title, limitation page, title, blank, publisher's note); 54 illustated leaves (rectos only); oatmeal cloth spine over blue paper boards, rectangular paper label on spine and on the top board. The text pages unopened, slight..... More
Clairvaux: Trianon Press, 1959. Facsimile. Folio, 11 plates, 7 pp. text [Geoffrey Keynes], plus the extra materials: 11 plates in monochrome and a suite of 26 progressive states of one plate. Full orange morocco, marbled slipcase, some foxing internally and to the edges. Limited to 446 copies of which this..... More
Clairvaux: Trianon Press, 1972. 3 volumes, folio, with 116 colour facsimile leaves reproduced by collotype and hand-stencil colour, the text of the poems reproduced from copperplate with 3 additional printings to reproduce Blake’s pencilings and the tone of the paper. Marbled boards, morocco spines, slipcases, a fine set as issued..... More
Clairvaux: Trianon Press, 1971. Facsimile. Quarter calf. Small folio, 72 pages, with 16 colour facsimile leaves, suites of progressive plates, and 116 monochrome illustrations. Marbled boards, morocco spine, slipcase, internally fine. Spine is lightly sunned with three small stains on the spine, the largest being 1 cm x 0.5cm and..... More
![The [First] Book of Urizen. William Blake](/pictures/thumb/31_1.jpg?v=1549079483)
Clairvaux: Trianon Press, 1958. Facsimile. Quarto, 27 plates, 5pp text, plus the extra materials, top edge gilt. Full red morocco, spine very slightly faded. Slipcase showing moderate edge-wear. Limited to 526 copies of which this is copy XV of XX copies with a suite of progressive states of one plate..... More
London: Bensley for Ackermann, 1813 [i.e. 1870]. William Blake. Third Edition. Quarto, (2), liv, 42 pp. With a portrait frontispiece, etched titlepage, typographical title page, dedication to the Queen, list of subscribers, biographical sketch of Blair, the poem and 11 plates with tissue guards. Gilt-stamped and blind-stamped and lettered cloth..... More
London: Bensley for Cromek, 1808. William Blake. First Folio. Three quarter morocco. Folio, xiv, 36, (4) pp. marbled endpapers, a.e.g., with an etched portrait frontispiece after Phillips printed on India paper and an etched title-page (both moderately foxed), typographical title page, dedication to the Queen, List of Subscribers, the poem..... More
Clairvaux: Trianon Press, 1977. Quarter morocco. Quarto, 155pp. Original quarter brown morocco, slipcase. Bookplate for Elaine Harwood Klemen at the front pastedown. Limited to 26 copies for the Trustees, of a total edition of 562 copies, with this being 94. Fine in Fine slipcase. More
London: 1821. 2 vols., small octavo, xii (lacking vii/viii), 12, xxiv ( lacking i - iv), 214 pp; [I], [215]-592 pp. With an engraved frontispiece to each volume, and 230 illustrations including three maps (two folding), 17 woodcuts and 6 engraved plates by Blake, and four other designs by Blake..... More
New York/London: Paddington Press Ltd/ Two Continents Publishing Group, 1976. First thus. Cloth. Hardcover (28 x 21cm); 52pp (text), 21 plates; brown cloth covered boards, green faux leather label on spine lettered in gilt, plain cream endpapers. Half title slightly soiled, edges of text block a little foxed, small dint to..... More
London: 1957. Cloth. Small quarto, vi, 72 pp.; 40 plates. Original red cloth lettered in gilt, dust-jacket. Dust-jacket is scuffed with wear around edges, light wear to cloth; very good. With an introduction by Anthony Blunt and a foreword by John Rothenstein. Bentley, Blake Books, 679. More
London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. Brown stain on rock under the seated official. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his..... More
London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions. From 102 illustrations..... More
London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions. From 102 illustrations..... More
London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. A foxed copy. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions..... More
Ithaca and London: Cornell University Press, 1992. First Edition. Oblong octavo, xxix, 287pp. Illustrated. Black cloth with illustrated dust-jacket, slightly edgeworn. Some scattered pencil annotations. Bentley, BBS, p.459: “an important essay in historiography." More
![Songs of Innocence [with] Songs of Experience. Muir facsimile, William Blake](/pictures/thumb/453_Muir_10copy.jpg?v=1547507235)
London: 1927. The soft wraps are toned and pushed along the edges and corners, with a couple of minor (2mm) tears. 2 volumes, quarto. Songs of Innocence: 28 hand coloured plates, copied from the "Beaconsfield" original in the British Museum by Joseph Patrick Trumble, Muir, and William Muir. Songs of..... More
Oxford: Phaidon Press Limited, 1978. Cloth. Quarto, 192 pp. With 161 illustrations including 16 in colour. Original brown cloth, colourful illustrated dustjacket. First edition, nicely printed and illustrated. Bentley, Blake Books Supplement, page 182 issue A. More
London: Bodley Head, 1967. Small octavo, 19pp, [2]. Near fine in pictorial french fold wraps, saddle stitched, with 9 sepia illustrations to the text by Maurice Sendak. Privately issued. First and only edition, limited to 275 copies printed as a gift from the publishers. One of Sendak’s rarest and most..... More
London: John Camden Hotten, 1868. Second Edition. Hardcover octavo (23 x 14.5cm, pp. iv, [4], 304, [16 pages of advertising] + a hand-coloured frontispiece, hand-coloured title, and seven plates five of which are hand-coloured; blue cloth covered boards with lettering and bands on the spine in gilt, double borders on..... More
London: John Linnell, March 8, 1825 [i.e. London: John Linnell, 1874]. posthumous printing. Large folio, title-page and 21 plates printed on India paper. Mounted on large sheets as issued, enclosed in a blue linen folder within a blue morocco box lettered in gilt. The box is slightly worn at the..... More