Clairvaux: Trianon Press, 1974. Facsimile. Folio, 25 colour plates, 8 proofs, and 9pp of commentary by Geoffrey Kaeynes at the end, eight colour facsimile trial proofs, twelve pages of text plus an extra suite of fourteen states of plate B, collotype profs, and a matching guide-sheet and stencil. Original full..... More

Manchester Etching Workshop, 1983. Facsimile. 2 vols., large and smaller quarto, the larger bound in full red morocco, the smaller loose in wrappers as issued, both enclosed in brown cloth folding boxes, new as issued. With an additional folder containing one facsimile plate and the Viscomi text. Some of the..... More

Clairvaux: Trianon Press, 1959. Facsimile. Folio, 11 plates, 7 pp. text [Geoffrey Keynes], plus the extra materials: 11 plates in monochrome and a suite of 26 progressive states of one plate. Full orange morocco, marbled slipcase, some foxing internally and to the edges. Limited to 446 copies of which this..... More

Clairvaux: Trianon Press, 1971. Facsimile. Quarter calf. Small folio, 72 pages, with 16 colour facsimile leaves, suites of progressive plates, and 116 monochrome illustrations. Marbled boards, morocco spine, slipcase, internally fine. Spine is lightly sunned with three small stains on the spine, the largest being 1 cm x 0.5cm and..... More

London: Bensley for Ackermann, 1813 [i.e. 1870]. William Blake. Third Edition. Quarto, (2), liv, 42 pp. With a portrait frontispiece, etched titlepage, typographical title page, dedication to the Queen, list of subscribers, biographical sketch of Blair, the poem and 11 plates with tissue guards. Gilt-stamped and blind-stamped and lettered cloth..... More

Clairvaux: Trianon Press, 1977. Quarter morocco. Quarto, 155pp. Original quarter brown morocco, slipcase. Bookplate for Elaine Harwood Klemen at the front pastedown. Limited to 26 copies for the Trustees, of a total edition of 562 copies, with this being 94. Fine in Fine slipcase. More

London: 1957. Cloth. Small quarto, vi, 72 pp.; 40 plates. Original red cloth lettered in gilt, dust-jacket. Dust-jacket is scuffed with wear around edges, light wear to cloth; very good. With an introduction by Anthony Blunt and a foreword by John Rothenstein. Bentley, Blake Books, 679. More

London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions. From 102 illustrations..... More

London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. A foxed copy. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions..... More

London: 1927. The soft wraps are toned and pushed along the edges and corners, with a couple of minor (2mm) tears. 2 volumes, quarto. Songs of Innocence: 28 hand coloured plates, copied from the "Beaconsfield" original in the British Museum by Joseph Patrick Trumble, Muir, and William Muir. Songs of..... More

London: Bodley Head, 1967. Small octavo, 19pp, [2]. Near fine in pictorial french fold wraps, saddle stitched, with 9 sepia illustrations to the text by Maurice Sendak. Privately issued. First and only edition, limited to 275 copies printed as a gift from the publishers. One of Sendak’s rarest and most..... More

London: John Linnell, March 8, 1825 [i.e. London: John Linnell, 1874]. posthumous printing. Large folio, title-page and 21 plates printed on India paper. Mounted on large sheets as issued, enclosed in a blue linen folder within a blue morocco box lettered in gilt. The box is slightly worn at the..... More