Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary, print size plate 24 is 16.7 x 12cm Currently one copy each of plates 5, 10, 16, 24 and 25 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary, print size plate 25 is 18 x 11.7cm Currently one copy each of plates 5, 10, 16, 24 and 25 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary, print size plate 5 is 17 x 12cm Currently one copy each of plates 5, 10, 16, 24 and 25 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing..... More
Liverpool: Henry Young and Sons, Ltd., 1923. Limited edition. Facsimile, small quarto (19.5 x 14.2cm); 8pp (half title, limitation page, title, blank, publisher's note); 54 illustated leaves (rectos only); oatmeal cloth spine over blue paper boards, rectangular paper label on spine and on the top board. The text pages unopened, slight..... More
London: Bensley for Cromek, 1808. William Blake. First Folio. Three quarter morocco. Folio, xiv, 36, (4) pp. marbled endpapers, a.e.g., with an etched portrait frontispiece after Phillips printed on India paper and an etched title-page (both moderately foxed), typographical title page, dedication to the Queen, List of Subscribers, the poem..... More
New York/London: Paddington Press Ltd/ Two Continents Publishing Group, 1976. First thus. Cloth. Hardcover (28 x 21cm); 52pp (text), 21 plates; brown cloth covered boards, green faux leather label on spine lettered in gilt, plain cream endpapers. Half title slightly soiled, edges of text block a little foxed, small dint to..... More
London: Thames & Hudson, 1994. Large quarto (32.3 x 25 cm) 376 pp., hard cover bound in dark red cloth, 328 illustrations, 174 in colour, printed and bound in Italy. Contents: Introduction; Chronology; Five chapters—I: Florence 1397-1475), II: Art in Florence at the Time of Uccello, III: Places Associated with..... More
London: Hodder and Stoughton, 1969. First Edition. Octavo, hard cover (22 x 14cm), pp. iii (1, blank) 316; black cloth covered boards, lettering in argent on spine. LACKS DUST WRAPPER. Head of spine a tad brittle with a 3mm chip at the head of the front joint, starting at the..... More
London: John Lane at the Bodley Head, 1913. Cloth. Red cloth covers with gilt title, frontipiece and 30 plates, xiii, 386pp. Covers clean and bright. A little sunning to spine. Binding square, corners gently bumped. Some foxing to first and final gatherings and to p.43. Otherwise internally clean. There is..... More
London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. Brown stain on rock under the seated official. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his..... More
London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions. From 102 illustrations..... More
London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions. From 102 illustrations..... More
London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. A foxed copy. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions..... More
Roseville East: Craftsman House, 1995. Octavo, 29 x 26cm, apricot canvas boards with brick red title on spine, illustrated dust jacket ("Memory of Temple Downs" 1992), 160pp, 40 colour plates and 31 black and white figures. Robert Grieve (1924 - 2006) made significant contributions to the Australian contemporary art scene..... More
Mascot: Corbally Stourton Contemporary Art, 2001. First Edition. Large format hardcover quarto (30.6 x 30.6cm), pp. 132; blue and orange illustrated paper covered boards with white lettering on the spine, matching illustrated dust wrapper, orange endpapers with lettering in white, signed by the artist. Two indentations across bottom edge of front..... More
Boston; Melbourne: Chateau Bosgouet: The Lytlewode Press, 2014. Folio, pp. [viii], 32, [8], frontispiece, title page printed in red and black, illustrated with four original Andrew Sibley hand coloured and signed linocuts; gilt illustrated full leather binding, green endpapers. Housed in a bespoke clothbound clamshell box which also contains the..... More
London, Paris, New York, Melbourne: Cassell and Company, Limited, nd. Quarto (31 x 23.5cm), xlvii, 152pp., 250 plates, alledges gilt; three quarter red leather over red pebbled boards, gilt lettering to top board and spine, five raised bands separated by gilt decorated panels, marbled endpapers with leather strip at the..... More
Sydney: The Shepherd Press, 1948. De-luxe Edition. Quarto, gilt-lettered leather, 144pp., with 23 black and white drawings and 5 colour plates by Norman Lindsay. Signed by author and artist. Some rubbing to head and foot of the spine and to the corners, leaves slightly toned, a few foxmarks to endpapers; boards..... More
Eindhoven: Stedelijk Van Abbemuseum, c.1992. Glossy pictorial cover. Octavo (263 x 216 mm.), 116pp, ill., bibliography, pictorial glossy paper covered boards. Very good, boards lightly scuffed and marked, top edge soiled, top back fore edge corner bumped, top of spine with light wear. Published on the occasion of an exhibition..... More
Princeton, Wisconsin: Kitchen Sink Press, 1988. Hardcover (26 x 18cm); pp. 139, [5, blank]; stiff, gloss cloth covered boards, brown, black and blue illustrated covers with lettering in black, white and yellow; light peach endpapers; number 600 of 1250 signed copies as noted on a bookplate illustrated by Eisner and..... More
Hong Kong: communion w ltd, 2005. Custom. Large octavo (32cm x 25cm), white boards, stitched natural fabric cover, with title printed on front and spine, 288pp (including endpapers), lavishly illustrated with sketches, still photographs and performance photos. A beautiful record of costume designer Wada’s works in the decade leading up..... More
Roseville East: Craftsman House, 1995. First Edition. Large Hardcover (29 x 26cm), pp. (5) 6 – 271 (1, blank); grey boards with title in argent on spine, sunny orange endpapers, illustrated dust wrapper (front: Self Portrait with Goose Feathers; back: Morning Landscape Beechmont). Small dint (3mm – 1mm) at the..... More
New York: Harry N. Abrams, 1963. First American Edition. Quarto, with more than 1,250 illustrations including 53 tipped-in full-page colour Plates, 30 x 22 x 6.6 cm, 775 pages, weight 3.32 kg, hard cover, colour dust jacket with image of At Cock’s Crow 1944 on front and full-page b/w photograph..... More
Spit Junction: The Craftsman’s Press, 1983. First Edition. Large format hardcover, pp. 168 including frontispiece featuring photograph of Lloyd Rees taken by Max Dupain; blue cloth covered boards with embossed silver lettering on the spine, lettering and border on the front cover, grey textured endpapers, in a blue cloth presentation..... More
London: Lund Humphries, 1971. First English Language Edition. Translated by Janet Seligman, both volumes thick quarto, 26 x 21.8 cm, hard cover with colour & b/w photographic dust jackets, black cloth with gilt titles on spines. A little narrow discolouration of top edges of both jackets. Vol. 1: ix 473 pages..... More