Oxford: Clarendon Press, 1969. Octavo, xxviii, 678, [1], 60 plates; xlviii, 152 pages, plates. A lttle shaken. In and of itself very useful, though reprinted in 2004 in one volume, with the supplement and with additions. Bentley, Blake Books, 1158. More
Oxford: Clarendon Press, 1988. Cloth. Octavo, xlviii, 152 pp., plates. Essential and long out of print. More
UMinnP, 1964. First Edition. Cloth. Octavo, xix, 393pp. Illus. Original cloth, dust-jacket worn, Kay Long [Easson] bookplate (Blake scholar). Heavily underlined. The Bible until Bentley’s Blake Books and Essick’s various books came along. More
Cambridge: Heffer, 1970. First Edition. Paperback. Oblong small folio, viii, 88 pp., colour frontispiece and 74 illustrations. Original wrappers, gently bumped at top right corner. First edition (also issued in cloth). Bentley, Blake Books, 703. More
[N. P.]: The William Blake Trust, 2009. William Blake. Facsimile. Folio, 95pp. Original quarter-maroon calf with black moiré silk-covered boards, with gilt lettered maroon-morocco label to top board, the spine also stamped in gilt; tongue and strap portfolio in full maroon calf containing 19 watercolours reproduced in facsimile, mounted within... More
Clairvaux: Trianon Press, 1963. Facsimile. Folio, 18 colour facsimile leaves and 5 pp of commentary by Sir Geoffrey Keynes. Limited to 480 copies, this is number 400. There were also 20 copies showing progressive stages in the stencil work and 26 copies lettered and reserved for Paul Mellon and members... More
Clairvaux: Trianon Press, 1978. Facsimile. half morocco. Oblong folio, original half brown morocco folding case, lettered in gilt. Contains A second folding linen case and oblong folio book. The interior folding case contains, each in its own paper portfolio, The Reimpression from the Original Copperplate (1 plate), the Complete Set... More
Clairvaux: Trianon Press, 1976. Facsimile. Quarto, 5 colour plates and commentary. Quarter brown morocco, marbled paper boards, slipcase. Number 11 of an edition of 538 copies, printed on Arches pure rag paper made to match the paper used by Blake. Thirty-two copies were bound in full morocco and showed progressive... More
Clairvaux: Trianon Press, 1969. Facsimile. Folio, 17 colour plates, 9 pp. of commentary plus extra material: 23 additional proof sheets, 22 progressive plates, original stencil and guide sheet. Full brown morocco over boards with slipcase. This fasimile was made from copies held by Mrs Landon Thorne and Lord Cunliffe. The... More
Clairvaux: Trianon Press, 1987. Folio, 22 facsimile hand coloured plates, loose in a folder as issued. Near fine (first plate has a bent corner) in a near fine (slightly rubbed) folder. The publication of Blake's last completed set of engravings formed an appropriate finale to the William Blake Trust's scheme... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints in various sizes on hand-mould paper. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing as closely as possible the illuminated works of William Blake. The project was born between Blake Trustee Sir Geoffrey Keynes and... More
Clairvaux: Trianon Press, 1974. Facsimile. Folio, 25 colour plates, 8 proofs, and 9pp of commentary by Geoffrey Kaeynes at the end, eight colour facsimile trial proofs, twelve pages of text plus an extra suite of fourteen states of plate B, collotype profs, and a matching guide-sheet and stencil. Original full... More
Clairvaux: Trianon Press, 1975. Facsimile. Quarto, 8 plates, 8 pp. commentary by Keynes with another plate, and 22 additional progressive proof plates, and with a metal pochoir stencil mounted at the end. Full brown morocco, a fine copy in slipcase. Special publisher's de luxe copy. Copy B of 26 lettered... More
Manchester Etching Workshop, 1983. Facsimile. 2 vols., large and smaller quarto, the larger bound in full red morocco, the smaller loose in wrappers as issued, both enclosed in brown cloth folding boxes, new as issued. With an additional folder containing one facsimile plate and the Viscomi text. Some of the... More
Clairvaux: Trianon Press, 1959. Facsimile. Folio, 11 plates, 7 pp. text [Geoffrey Keynes], plus the extra materials: 11 plates in monochrome and a suite of 26 progressive states of one plate. Full orange morocco, marbled slipcase, some foxing internally and to the edges. Limited to 446 copies of which this... More
Clairvaux: Trianon Press, 1972. 3 volumes, folio, with 116 colour facsimile leaves reproduced by collotype and hand-stencil colour, the text of the poems reproduced from copperplate with 3 additional printings to reproduce Blake’s pencilings and the tone of the paper. Marbled boards, morocco spines, slipcases, a fine set as issued... More
Clairvaux: Trianon Press, 1971. Quarter calf. Small folio, 72 pages, with 16 colour facsimile leaves, suites of progressive plates, and 116 monochrome illustrations. Marbled boards, morocco spine, slipcase, internally fine. Spine is lightly sunned with a small stain. Limited to 28 copies so inscribed and signed by Geoffrey Keynes (this... More
![The [First] Book of Urizen. William Blake](/pictures/thumb/31_1.jpg?v=1549079483)
Clairvaux: Trianon Press, 1958. Facsimile. Quarto, 27 plates, 5pp text, plus the extra materials, top edge gilt. Full red morocco, spine very slightly faded. Slipcase showing moderate edge-wear. Limited to 526 copies of which this is copy XV of XX copies with a suite of progressive states of one plate... More
London: Bensley for Ackermann, 1813 [i.e. 1870]. William Blake. Quarto, (2), liv, 42 pp. With a portrait frontispiece, etched titlepage, typographical title page, dedication to the Queen, list of subscribers, biographical sketch of Blair, the poem and 11 plates with tissue guards. Gilt-stamped and blind-stamped and lettered cloth. Top edge... More
London: Bensley for Cromek, 1808. William Blake. First Folio. Three quarter morocco. Folio, xiv, 36, (4) pp. marbled endpapers, a.e.g., with an etched portrait frontispiece after Phillips printed on India paper and an etched title-page (both moderately foxed), typographical title page, dedication to the Queen, List of Subscribers, the poem... More
Clairvaux: Trianon Press, 1977. Quarter morocco. Quarto, 155pp. Original quarter brown morocco, slipcase. Bookplate for Elaine Harwood Klemen at the front pastedown. Limited to 26 copies for the Trustees, of a total edition of 562 copies, with this being 94. Fine in Fine slipcase. More
London: 1821. 2 vols., small octavo, xii (lacking vii/viii), 12, xxiv ( lacking i - iv), 214 pp; [I], [215]-592 pp. With an engraved frontispiece to each volume, and 230 illustrations including three maps (two folding), 17 woodcuts and 6 engraved plates by Blake, and four other designs by Blake... More
London: 1957. Behind Glass. Cloth. Small quarto, vi, 72 pp.; 40 plates. Original red cloth lettered in gilt, dust-jacket. Dust-jacket is scuffed with wear around edges, light wear to cloth; very good. With an introduction by Anthony Blunt and a foreword by John Rothenstein. Bentley, Blake Books, 679. More
London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. Brown stain on rock under the seated official. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his... More
London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions. From 102 illustrations... More