Oxford: Clarendon Press, 1969. Octavo, xxviii, 678, [1], 60 plates; xlviii, 152 pages, plates. A lttle shaken. In and of itself very useful, though reprinted in 2004 in one volume, with the supplement and with additions. Bentley, Blake Books, 1158. More
Oxford: Clarendon Press, 1988. Cloth. Octavo, xlviii, 152 pp., plates. Essential and long out of print. More
UMinnP, 1964. First Edition. Cloth. Octavo, xix, 393pp. Illus. Original cloth, dust-jacket worn, Kay Long [Easson] bookplate (Blake scholar). Heavily underlined. The Bible until Bentley’s Blake Books and Essick’s various books came along. More
New York: 1978. Folio, 492pp; illustrated throughout. Original cloth, dust-jacket. Tape repair to gutter of front endpaper. Indispensable single volume reference to Blake. Bentley, Blake Books Supplement, pages 150–51 issue B. More
Cambridge: Heffer, 1970. First Edition. Paperback. Oblong small folio, viii, 88 pp., colour frontispiece and 74 illustrations. Original wrappers, gently bumped at top right corner. First edition (also issued in cloth). Bentley, Blake Books, 703. More
[N. P.]: The William Blake Trust, 2009. William Blake. Folio, 95pp. Original quarter-maroon calf with black moiré silk-covered boards, with gilt lettered maroon-morocco label to top board, the spine is likewise stamped in gilt; portfolio in full maroon calf containing 19 watercolours reproduced in facsimile, mounted within framing lines on... More
London: Trianon Press, 1963. Folio, 18 colour facsimile leaves and 5 pp of commentary by Sir Geoffrey Keynes. Limited to 480 copies, this is number 400. There were also 20 copies showing progressive stages in the stencil work and 26 copies lettered and reserved for Paul Mellon and members of... More
London: 1978. Oblong folio, original half brown morocco folding case, lettered in gilt. The edition consists of 440 copies printed on Lana Rag paper, this copy being no.17 of the top edition of 18 (numbered I-XVIII) which include a recent restrike of one of the original copperplates, Plate 6: “Circle... More
London: Trianon Press, 1973. 4to, 6 colour facsimile leaves, 5 pp. of commentary. Quarter black morocco, slipcase. 163 of 750 copies bound in quarter leather morocco with hand-marbled paper sides. Bentley, Blake Books, A15. “Blake suppressed the “Book of Ahania” and recast her tale in “The Four Zoas”. She is... More
London: Trianon Press, 1976. Quarto, 5 colour plates and commentary. Quarter brown morocco, marbled paper boards, slipcase. Number 11 of an edition of 538. 32 copies were bound in full morocco and showed progressive states of the collotype and hand stencil process, 26 were lettered and reserved for the Trustees... More
London: Trianon Press, 1969. Folio, 17 colour plates, 9 pp. of commentary plus extra material. Full brown morocco over boards with slipcase. One of the rarest de luxe editions. Limited to 20 de luxe copies this is inscribed “special publisher’s copy”. With additional proof sheets, progressive plates, original stencil, etc.... More
London: Trianon Press, 1987. Folio, 22 facsimile hand coloured plates, loose in a folder as issued. Near fine (first plate has a bent corner) in a near fine (slightly rubbed) folder.. The publication of Blake's last completed set of engravings formed an appropriate finale to the William Blake Trust's scheme... More
London: Trianon Press. Hand stencil (pochoir) prints in various sizes on hand-mould paper. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing as closely as possible the illuminated works of William Blake. The project was born between Blake Trustee Sir Geoffrey Keynes and... More
London: Trianon Press, 1974. Folio, 25 colour plates, 8 proofs, and commentary at the end, eight colour facsimile trial proofs, twelve pages of text plus an extra suite of fourteen states of plate B, collotype profs, and a matching guide-sheet and stencil. Original full brown morocco, slipcase. #6 of 32... More
London: Trianon Press, 1975. Quarto, 8 plates, 8 pp. commentary by Keynes with another plate, and 22 additional progressive proof plates, and with a metal pochoir stencil mounted at the end. Full brown morocco, a fine copy in slipcase. Copy B, special publisher’s copy of 26 lettered de luxe copies... More
Manchester Etching Workshop, 1983. 2 vols., large and smaller 4to, the larger bound in full red morocco, the smaller loose in wrappers as issued, both enclosed in brown cloth folding boxes, new as issued. With an additional folder containing one facsimile plate and the Viscomi text. Some of the corner... More
London: Trianon Press, 1959. Folio, 11 plates, 7 pp. text, plus the extra materials. Full orange morocco, slipcase, some foxing internally and to the edges. Limited to 426 copies of which this is the de luxe issue being copy II of XX copies with a suite of progressive states of... More
Trianon Press, 1972. 3 volumes, folio, with 116 colour facsimile leaves reproduced by collotype and hand-stencil colour, the text of the poems reproduced from copperplate with 3 additional printings to reproduce Blake’s pencilings and the tone of the paper. Marbled boards, morocco spines, slipcases, a fine set as issued. This... More
London: Trianon Press, 1971. Quarter calf. Small folio, 72 pages, with 16 colour facsimile leaves, suites of progressive plates, and 116 monochrome illustrations. Marbled boards, morocco spine, slipcase, internally fine. Spine is lightly sunned with a small stain. Limited to 28 copies so inscribed and signed by Geoffrey Keynes (this... More
![The [First] Book of Urizen. William Blake.](/pictures/thumb/31_1.jpg?v=1532149896)
London: Trianon Press, 1958. 4to, 27 plates, 5pp text, plus the extra materials. Full red morocco, slipcase, spine very slightly faded. Limited to 526 copies of which this is copy XV of XX copies with a suite of progressive states of one plate, an original guide-sheet and stencil etc. The stencil... More
London: Bensley for Ackermann, 1813 [i.e. 1870]. William Blake. Quarto, (2), liv, 42 pp. With a portrait frontispiece, etched titlepage, typographical title page, dedication to the Queen, list of subscribers, biographical sketch of Blair, the poem and 11 plates with tissue guards. Gilt-stamped and blind-stamped and lettered cloth. Top edge... More
London: Bensley for Cromek, 1808. William Blake. First Folio. Some scuffing and wear. Folio, xiv, 36, (4) pp. marbled endpapers, a.e.g., with an etched portrait frontispiece after Phillips printed on India paper and an etched title-page (both lightly foxed), typographical title page, dedication to the Queen, List of Subscribers, the... More
London: Trianon Press, 1977. Quarter morocco. quarto, 155pp., 52 plates. Original quarter brown morocco, slipcase. Bookplate for Elaine Harwood Klemen at the front pastedown. Limited to 26 copies for the Trustees, of a total edition of 562 copies, with this being 94. The definitive work on all known portraits of... More
London: 1821. 2 vols., small 8vo, xii (lacking vii/viii), 12, xxiv ( lacking i - iv), 214 pp; [I], [215]-592 pp. With an engraved frontispiece to each volume, and 230 illustrations including 17 woodcuts and 6 engraved plates by Blake, and four other designs by Blake engraved by others. Original... More
London: 1957. Cloth. Small quarto, vi, 72 pp.; 40 plates. Original red cloth lettered in gilt, dust-jacket. Dust-jacket is scuffed with wear around edges, light wear to cloth; very good. With an introduction by Anthony Blunt and a foreword by John Rothenstein. Bentley, Blake Books, 679. More