Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper size 28 x 22cm, print sizes are approximately 15.5 x 11cm. Currently one copy each of plates 1, 3 and 5 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing as..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 40 x 28cm), print size plate 1 is 15 x 10.5cm Currently one copy each of plates 1, 2, 3, 4, 10, 14, 16 and 20 are available. The Blake Trust established the Trianon Press in the..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 40 x 28cm), print size plate 2 is 15 x 10cm Currently one copy each of plates 1, 2, 3, 4, 10, 14, 16 and 20 are available. The Blake Trust established the Trianon Press in the..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 40 x 28cm), print size plate 3 is 15.2 x 10.6cm Currently one copy each of plates 1, 2, 3, 4, 10, 14, 16 and 20 are available. The Blake Trust established the Trianon Press in the..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 40 x 28cm), print size plate 4 is 13.5 x 10cm Currently one copy each of plates 1, 2, 3, 4, 10, 14, 16 and 20 are available. The Blake Trust established the Trianon Press in the..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 40 x 28cm), print size plate 10 is 14.7 x 10cm Currently one copy each of plates 1, 2, 3, 4, 10, 14, 16 and 20 are available. The Blake Trust established the Trianon Press in the..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 40 x 28cm), print size plate 14 is 14.5 x 10cm Currently one copy each of plates 1, 2, 3, 4, 10, 14, 16 and 20 are available. The Blake Trust established the Trianon Press in the..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 40 x 28cm), print size plate 16 is 15.8 x 10.2cm Currently one copy each of plates 1, 2, 3, 4, 10, 14, 16 and 20 are available. The Blake Trust established the Trianon Press in the..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 40 x 28cm), print size plate 20 is 14.3 x 10.2cm Currently one copy each of plates 1, 2, 3, 4, 10, 14, 16 and 20 are available. The Blake Trust established the Trianon Press in the..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary, print size plate 10 is 16.5 x 12cm Currently one copy each of plates 6, 10, 16, 24 and 25 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary, print size plate 16 is 16.5 x 12.5cm Currently one copy each of plates 6, 10, 16, 24 and 25 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary, print size plate 24 is 16.7 x 12cm Currently one copy each of plates 6, 10, 16, 24 and 25 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary, print size plate 25 is 18 x 11.7cm Currently one copy each of plates 6, 10, 16, 24 and 25 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary, print size plate 5 is 17 x 12cm Currently one copy each of plates 6, 10, 16, 24 and 25 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing..... More
Clairvaux: Trianon Press, 1974. Facsimile. Folio, 25 colour plates, 8 proofs, and 9pp of commentary by Geoffrey Kaeynes at the end, eight colour facsimile trial proofs, twelve pages of text plus an extra suite of fourteen states of plate B, collotype profs, and a matching guide-sheet and stencil. Original full..... More
Clairvaux: Trianon Press, 1975. Facsimile. Quarto, 8 plates, 8 pp. commentary by Keynes with another plate, and 22 additional progressive proof plates, and with a metal pochoir stencil mounted at the end. Full brown morocco, a fine copy in slipcase. Special publisher's de luxe copy. Copy B of 26 lettered..... More
Clairvaux: Trianon Press, 1959. Facsimile. Folio, 11 plates, 7 pp. text [Geoffrey Keynes], plus the extra materials: 11 plates in monochrome and a suite of 26 progressive states of one plate. Full orange morocco, marbled slipcase, some foxing internally and to the edges. Limited to 446 copies of which this..... More
Clairvaux: Trianon Press, 1972. 3 volumes, folio, with 116 colour facsimile leaves reproduced by collotype and hand-stencil colour, the text of the poems reproduced from copperplate with 3 additional printings to reproduce Blake’s pencilings and the tone of the paper. Marbled boards, morocco spines, slipcases, a fine set as issued..... More
Clairvaux: Trianon Press, 1971. Facsimile. Quarter calf. Small folio, 72 pages, with 16 colour facsimile leaves, suites of progressive plates, and 116 monochrome illustrations. Marbled boards, morocco spine, slipcase, internally fine. Spine is lightly sunned with three small stains on the spine, the largest being 1 cm x 0.5cm and..... More
![The [First] Book of Urizen. William Blake](/pictures/thumb/31_1.jpg?v=1549079483)
Clairvaux: Trianon Press, 1958. Facsimile. Quarto, 27 plates, 5pp text, plus the extra materials, top edge gilt. Full red morocco, spine very slightly faded. Slipcase showing moderate edge-wear. Limited to 526 copies of which this is copy XV of XX copies with a suite of progressive states of one plate..... More
Clairvaux: Trianon Press, 1977. Quarter morocco. Quarto, 155pp. Original quarter brown morocco, slipcase. Bookplate for Elaine Harwood Klemen at the front pastedown. Limited to 26 copies for the Trustees, of a total edition of 562 copies, with this being 94. Fine in Fine slipcase. More
London: 1957. Cloth. Small quarto, vi, 72 pp.; 40 plates. Original red cloth lettered in gilt, dust-jacket. Dust-jacket is scuffed with wear around edges, light wear to cloth; very good. With an introduction by Anthony Blunt and a foreword by John Rothenstein. Bentley, Blake Books, 679. More
London: Hodder and Stoughton, 1969. First Edition. Octavo, hard cover (22 x 14cm), pp. iii (1, blank) 316; black cloth covered boards, lettering in argent on spine. LACKS DUST WRAPPER. Head of spine a tad brittle with a 3mm chip at the head of the front joint, starting at the..... More
Germany: Hatje Cantz V, 2007. Hardcover : pp. [5] 207 [208] : richly illustrated throughout : illustrated cloth boards with detail of Muzaffarabad, Pakistan aerial view to front, Democratic Republic of Congo aerial view to spine and New Orleans floodwaters to back : lettering in red : illustrated endpapers.... More
Napoli, Italy: Electra, 2004. First Edition. Softcover: pp. [1-14] 15-262 [263-268]; Richly illustrated throughout with two folding illustrations; Translations by Marguerite Shore; Softcover with French flaps; Cover illustration detail of artist's work. Light foxing on top edge; Spine has centre crease; Slightly separated at gutter but spine intact; a good square..... More