Brisbane: Philip Bacon Galleries, 2005. Art Gallery Catalogue, saddle stitched, 24pp, Illustrated dust wrapper. Loosely inserted: invitation to the Launch of the Barry Pearce monograph ‘Jeffrey Smart’ and Opening of the exhibition JEFFREY SMART by Edmond Capon, Director, Art Gallery of New South Wales AND “Additional Works” (one page folded..... More
Collingwood, Victoria: Australian Galleries in association with Jeffrey Smart, 2008. First edition. Large format softcover with French flaps, (29.8 x 24cm), pp. (10) 11- 285 (286-288), richly illustrated. Fox mark to the ffep (recto) and small abrasion towards the fore edge (verso) with matching abrasion on next page, as though..... More
London: John Lane The Bodley Head, 1920. 3rd Printing. Cloth. First published, March 1899; reprinted, October 1911, May 1920. Two uniform octavo volumes (29 x 22cm), The Early Work:15 pp, 157 plates (including port. frontis and tp). The Later Work: (18pp) unpaginated, 174 plates (including port. frontis and tp). Blue..... More
Munich Berlin London New York: Prestel, 2003. Hardcover, large format (32 x 39cm), pp. [6] 11- 181 [1], richly illustrated with 131 full colour illustrations; blue cloth covered boards with lettering in gilt on the spine, illustrated endpapers, illustrated dust wrapper. Small (2mm) nibble mark on top edge of top..... More
Cambridge: Heffer, 1970. First Edition. Paperback. Oblong small folio, viii, 88 pp., colour frontispiece and 74 illustrations. Original wrappers, gently bumped at top right corner. First edition (also issued in cloth). Bentley, Blake Books, 703. More
Clairvaux: Trianon Press, 1975. Facsimile. Quarto, 8 plates, 8 pp. commentary by Keynes with another plate, and 22 additional progressive proof plates, and with a metal pochoir stencil mounted at the end. Full brown morocco, a fine copy in slipcase. Special publisher's de luxe copy. Copy B of 26 lettered..... More
Clairvaux: Trianon Press, 1959. Facsimile. Folio, 11 plates, 7 pp. text [Geoffrey Keynes], plus the extra materials: 11 plates in monochrome and a suite of 26 progressive states of one plate. Full orange morocco, marbled slipcase, some foxing internally and to the edges. Limited to 446 copies of which this..... More
Clairvaux: Trianon Press, 1971. Quarter calf. Small folio, 72 pages, with 16 colour facsimile leaves, suites of progressive plates, and 116 monochrome illustrations. Marbled boards, morocco spine, slipcase, internally fine. Spine is lightly sunned with a small stain. Limited to 28 copies so inscribed and signed by Geoffrey Keynes (this..... More
![The [First] Book of Urizen. William Blake](/pictures/thumb/31_1.jpg?v=1549079483)
Clairvaux: Trianon Press, 1958. Facsimile. Quarto, 27 plates, 5pp text, plus the extra materials, top edge gilt. Full red morocco, spine very slightly faded. Slipcase showing moderate edge-wear. Limited to 526 copies of which this is copy XV of XX copies with a suite of progressive states of one plate..... More
London: Bensley for Cromek, 1808. William Blake. First Folio. Three quarter morocco. Folio, xiv, 36, (4) pp. marbled endpapers, a.e.g., with an etched portrait frontispiece after Phillips printed on India paper and an etched title-page (both moderately foxed), typographical title page, dedication to the Queen, List of Subscribers, the poem..... More
Clairvaux: Trianon Press, 1977. Quarter morocco. Quarto, 155pp. Original quarter brown morocco, slipcase. Bookplate for Elaine Harwood Klemen at the front pastedown. Limited to 26 copies for the Trustees, of a total edition of 562 copies, with this being 94. Fine in Fine slipcase. More
New York and London: Garland, c. 1996. 1/4 cloth. Octavo (224 x 146 mm.), cii,690 pp., Quarter bound in cloth with glossy paper covered boards, indexes of Authors, Subjects and themes, and Artwork titles in French and English. Discreet blind embossed library stamp on tp, boards a little faded, ink..... More
London: 1957. Behind Glass. Cloth. Small quarto, vi, 72 pp.; 40 plates. Original red cloth lettered in gilt, dust-jacket. Dust-jacket is scuffed with wear around edges, light wear to cloth; very good. With an introduction by Anthony Blunt and a foreword by John Rothenstein. Bentley, Blake Books, 679. More
London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. A foxed copy. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions..... More
Mascot: Corbally Stourton Contemporary Art, 2001. First Edition. Large format hardcover quarto (30.6 x 30.6cm), pp. 132; blue and orange illustrated paper covered boards with white lettering on the spine, matching illustrated dust wrapper, orange endpapers with lettering in white, signed by the artist. Two indentations across bottom edge of front..... More
Eindhoven: Stedelijk Van Abbemuseum, c.1992. Glossy pictorial cover. Octavo (263 x 216 mm.), 116pp, ill., bibliography, pictorial glossy paper covered boards. Very good, boards lightly scuffed and marked, top edge soiled, top back fore edge corner bumped, top of spine with light wear. Published on the occasion of an exhibition..... More
Princeton: Princeton University Press, 1995. First Edition. Quarto (29.8 x 26.3 cm), xxx, 115 pages, colour illustrated dust jacket with clear mylar separate cover. Preface; Introduction with notes; The Salon Album of Vera Sudeikin-Stravinsky; The Salon Album: Translations and Annotations; Bibliography; Indexes: General Index, Index to written entries, Index to..... More
![Archive] First Crossing of Australia's Simpson Desert by Ted Colson, 1936 [together with] photos...](/pictures/thumb/273_Ted_10.JPG?v=1535436283)
In mylar pockets. **Aboriginal and Torres Strait Islander viewers are advised that this archive contains images of people who have died. Small archive of thirteen photographs (12 x black and white, 1 x colour). Eight 1500 x 1600mm images (seven desert crossing images and one homestead image) and four 500x500mm taken..... More
Roseville East: Craftsman House, 1995. First Edition. Large Hardcover (29 x 26cm), pp. (5) 6 – 271 (1, blank); grey boards with title in argent on spine, sunny orange endpapers, illustrated dust wrapper (front: Self Portrait with Goose Feathers; back: Morning Landscape Beechmont). Small dint (3mm – 1mm) at the..... More
New York City: ipso facto, 1998. Diecut card covers in slipcase with paper label, 186pp (unpaginated), text in French and English. Slight wear to the bottom edge of the top cover, otherwise fine. According to their shorte biographies at the rear of the book, Garçon is a designer who dresses..... More
London: Lund Humphries, 1971. First English Language Edition. Translated by Janet Seligman, both volumes thick quarto, 26 x 21.8 cm, hard cover with colour & b/w photographic dust jackets, black cloth with gilt titles on spines. A little narrow discolouration of top edges of both jackets. Vol. 1: ix 473 pages..... More
London: Thames and Hudson, c. 1964. Quarto (285 x 237 mm.), 208 pp., 32 colour plates and 118 black and white plates, bibliography, exhibitions list, original cloth in col. ill. dustjacket. Good, light soiling to endpapers and light foxing throughout, all edges browned, top edge marked, dust jacket foxed on..... More
London: Printed by W. Smith & Co. for John Scott & Thomas Ostell, 1803. Etched by D. Deuchar, F.A.S. Quarto, 21 x 16cm, pp [4] 47, 46 original copperplates (plus portrait of Holbein, title page and vignette); full vellum, gilt dentelles and title, all edges gilt. Slight age-toning, occasional fox mark..... More
Niles, Illinois: Argus Communications, c. 1974. First Edition. Octavo (267 x 160 mm.), 559 pp. Cloth in colour dustjacket. Very good in good dust jacket, edges spotted, dj rubbed and scratched with chipping from upper and lower edges, now protected in plastic cover. A cult classic. Speculative fiction about a...... More
London: London College of Printing and Goldsmith's College, 1978. First Edition. 1/4 cloth. Translated by Ronald Knox. [3] blank, [36]pp, [3] blank, mustard coloured paper covered boards, cloth spine, paper label on spine, speckled endpapers. Printed in 18pt Bembo type with 60pt. initials. Sixteen lithograph illustrations printed at Goldsmith's College..... More