New York: American Colortype Company, ca. 1911. Original wraps. Octavo (297 x 190 mm.), [52 pp.], ill., card wrappers stapled then tied through three holes with fine cord. Very good, internally clean and bright, spotting to edges, 2 cm strip cut from boottom of tp, 7cm piece missing from upper..... More
Seoul: National Museum of Modern and Contemporary Art Foundation, 2014. White paper covered boards with typographical design. Quarto, 33 x 25.5 cm, 561 pp., ill., plan. “The inaugural exhibition of MMCA, Seoul, which was specifically prepared for its opening, consists of Connecting_Unfolding, an exhibition featuring the collaborative efforts of an..... More
New York: G.P. Putnam’s Sons, 1978. First Edition. Hardcover folio (34 x 24.5cm), pp. 492 including 765 illustrations; brown cloth covered boards with lettering in gilt on the spine; blue pictorial dust wrapper with lettering in white and black on the spine and lettering in white on the front cover. Front..... More
Clairvaux: Trianon Press, 1963. Facsimile. Folio, 18 colour facsimile leaves and 5 pp of commentary by Sir Geoffrey Keynes. Limited to 480 copies, this is number 400. There were also 20 copies showing progressive stages in the stencil work and 26 copies lettered and reserved for Paul Mellon and members..... More
Clairvaux: Trianon Press, 1976. Facsimile. Quarto, 5 colour plates and commentary. Quarter brown morocco, marbled paper boards, slipcase. Number 11 of an edition of 538 copies, printed on Arches pure rag paper made to match the paper used by Blake. Thirty-two copies were bound in full morocco and showed progressive..... More
Clairvaux: Trianon Press, 1969. Facsimile. Folio, 17 colour plates, 9 pp. of commentary plus extra material: 23 additional proof sheets, 22 progressive plates, original stencil and guide sheet. Full brown morocco over boards with slipcase. There is a 2mm dint on the spine at the "r" in "Trianon" This facsimile was..... More
Clairvaux: Trianon Press, 1987. Folio, 22 facsimile hand coloured plates, loose in a folder as issued. Near fine (first plate has a bent corner) in a near fine (slightly rubbed) folder. The publication of Blake's last completed set of engravings formed an appropriate finale to the William Blake Trust's scheme..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary slightly (approximately 37 x 29cm), print size of plate 12 is 23 x 16.9cm Currently one copy each of plates 1, 2, 3, 4, 5, 6, 8, 10, 11, 12, 13, 14, 15 and 16 are available. The..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary slightly (approximately 37 x 29cm), print size of plate 13 is 23 x 16.7cm Currently one copy each of plates 1, 2, 3, 4, 5, 6, 8, 10, 11, 12, 13, 14, 15 and 16 are available. The..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary slightly (approximately 37 x 29cm), print size of plate 8 is 23 x 16.2cm Currently one copy each of plates 1, 2, 3, 4, 5, 6, 8, 10, 11, 12, 13, 14, 15 and 16 are available. The..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 19 is 23.4 x 17.3cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 58 is 21.7 x 15.8cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 59 is 22.8x 15.5cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59, 62..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 72 is 23.6 x 17.2cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary, print sizes are approximately 12 x 7.5cm. Currently one copy each of plates 12, 13, 17, 21 and 35 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing as..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary slightly (approximately 39 x 30cm), print size of plate 21 is 21.5 x 16.5cm Currently one copy each of plates 1, 2, 9, 11, 13, 18, 20 and 21 are available. The Blake Trust established the Trianon Press..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary, print size plate 24 is 16.7 x 12cm Currently one copy each of plates 5, 10, 16, 24 and 25 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing..... More
Clairvaux: Trianon Press, 1974. Facsimile. Folio, 25 colour plates, 8 proofs, and 9pp of commentary by Geoffrey Kaeynes at the end, eight colour facsimile trial proofs, twelve pages of text plus an extra suite of fourteen states of plate B, collotype profs, and a matching guide-sheet and stencil. Original full..... More
London: 1821. 2 vols., small octavo, xii (lacking vii/viii), 12, xxiv ( lacking i - iv), 214 pp; [I], [215]-592 pp. With an engraved frontispiece to each volume, and 230 illustrations including three maps (two folding), 17 woodcuts and 6 engraved plates by Blake, and four other designs by Blake..... More
Honolulu and Belair: University of Hawai’i Press, 2010. Large format hardcover (29.5 x 21.5cm), pp. xxii, 286, richly illustrated with black and white and colour photographs; white cloth covered boards with gilt lettering on the spine and front cover and gilt illustration on the front cover; brown endpapers. Head, tail and..... More
London, Paris, New York, Melbourne: Cassell and Company, Limited, nd. Quarto (31 x 23.5cm), xlvii, 152pp., 250 plates, alledges gilt; three quarter red leather over red pebbled boards, gilt lettering to top board and spine, five raised bands separated by gilt decorated panels, marbled endpapers with leather strip at the..... More
London & New York: The Studio/Studio Publications, n.d. Cloth. Water colour by Australian illustrator Maivs Dowling tipped in at the front gutter. Hardcover (29.5 x 20.5cm), 128pp, richly illustrated with b&w photographs; red cloth covered boards with lettering in blue on the spine. Lacks dustwrapper, the head and tail of the..... More
Hong Kong: communion w ltd, 2005. Custom. Large octavo (32cm x 25cm), white boards, stitched natural fabric cover, with title printed on front and spine, 288pp (including endpapers), lavishly illustrated with sketches, still photographs and performance photos. A beautiful record of costume designer Wada’s works in the decade leading up..... More
London: Hodder and Stoughton, 1954. First Edition. Octavo (190 x 130 mm.), 192 pp., cloth in pictorial dustjacket. Very good in fair dustjacket, foxing on edges and on pages close to boards, name has been erased and whited out on title page with resultant tiny hole, bookseller's stamp on front..... More
New York City: ipso facto, 1998. Diecut card covers in slipcase with paper label, 186pp (unpaginated), text in French and English. Slight wear to the bottom edge of the top cover, otherwise fine. According to their shorte biographies at the rear of the book, Garçon is a designer who dresses..... More