Sydney: Charles Potter, Government Printer, 1890. Hardcover; pp. [8] [i-iii] iv-vii [viii] xi [2 unpaginated] 4-464; Bevelled maroon cloth boards with gilt lettering to spine. Scuffing to rear board; Corners bumped; Wear to head and tail of spine; Brown painted endpapers, small losses to front pastedown and front fly paper;..... More
Europe, early 20th Century. Black and white photo postcard of young woman lying in state in an open coffin covered by fine lace netting and surrounded by mourners. Two young women of a similar age to the deceased hold a massive bouquet of flowers. An older woman wearing a head..... More
Pasadena: Twelvetrees Press, 1985. Don Bachardy. Limited Edition. Cloth. Quarto (302 x 248 mm.), [48 leaves, most printed on one side only], all illustrations, cloth in dustjacket. Very good, light foxing throughout, in very good dustjacket, tiny tears to uppper and lower spine, now protected by plastic cover. Don Bachardy..... More
Brisbane: Gordon & Gotch, n.d. [1896]. First Edition. Octavo : pp. viii, 424 : folding frontispiece portrait of the Members of the First Legislative Assembly of NSW under the Electoral Reform Act of 1858 : 22 further illustrations (as listed p. viii) : maroon boards lettered in gilt on top..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints in various sizes on hand-mould paper. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing as closely as possible the illuminated works of William Blake. The project was born between Blake Trustee Sir Geoffrey Keynes and..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary slightly (approximately 37 x 29cm), print size of plate 12 is 23 x 16.9cm Currently one copy each of plates 1, 2, 3, 4, 5, 6, 8, 10, 11, 12, 13, 14, 15 and 16 are available. The..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 37 x 28.5cm), print size plate 9 is 23.5 x 16.5cm Currently one copy each of plates 8 and 9 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 37 x 28.5cm), print size plate 14 is 22 x 16cm Currently one copy each of plates 2, 4, 6, 8, 9, 14, 15, 18, 19, 21, 22, 23, 24, 25, and one unnumbered plate are available..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 37 x 28.5cm), print size plate 18 is 22 x 16.1cm Currently one copy each of plates 2, 4, 6, 8, 9, 14, 15, 18, 19, 21, 22, 23, 24, 25, and one unnumbered plate are available..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 37 x 28.5cm), print size plate 23 is 22.3 x 16cm Currently one copy each of plates 2, 4, 6, 8, 9, 14, 15, 18, 19, 21, 22, 23, 24, 25, and one unnumbered plate are available..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 37 x 28.5cm), print size of this unnumbered plate is 13 x 16cm Currently one copy each of plates 2, 4, 6, 8, 9, 14, 15, 18, 19, 21, 22, 23, 24, 25, and one unnumbered plate..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 11 is 23.5 x 17.6cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 20 is 23.5 x 17.4cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 73 is 23.2 x 15.7cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary, print sizes are approximately 12 x 7.5cm. Currently one copy each of plates 12, 13, 17, 21 and 35 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing as..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary slightly (approximately 39 x 30cm), print size of plate 1 is 20 x 16.3cm Currently one copy each of plates 1, 2, 9, 11, 13, 18, 20 and 21 are available. The Blake Trust established the Trianon Press..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary slightly (approximately 39 x 30cm), print size of plate 11 is 21.5 x 16.5cm Currently one copy each of plates 1, 2, 9, 11, 13, 18, 20 and 21 are available. The Blake Trust established the Trianon Press..... More
[unknown]: Privately printed, [n.d.]. Softcover : pp. [i-iv] v-viii, 1-56 : Light grey softcover with lettering in black : Previous bookstore sticker (Berkelouw) on paste-down : Largely unopened pages. Edges very slightly pressed. Brisbane born William Baylebridge (1883 - 1942) was a poet and short-story writer. This is a re-issue of..... More
Milan: Skira, c. 2004. Hardcover. Quarto (288 x 248 mm.), 455 [6] pp., ill., pictorial paper covered boards. Text in Italian and English. Cover title: published without separate title page. Near Fine, edges of boards lightly bumped. Pierre Huyghe (1962- ) is a French artist whose work includes film, photographs..... More
London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. Brown stain on rock under the seated official. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his..... More
Canberra: Brindabella Press, 1981. First Edition (thus). Hardcover : 32pp : illustrated with three decorations by the poet and four half tone photographs by the printer in green : olive eps : bound in navy cloth with gold blocked decoration on top board : SIGNED by the poet at colophon..... More
London & New York: The Studio/Studio Publications, n.d. Cloth. Water colour by Australian illustrator Maivs Dowling tipped in at the front gutter. Hardcover (29.5 x 20.5cm), 128pp, richly illustrated with b&w photographs; red cloth covered boards with lettering in blue on the spine. Lacks dustwrapper, the head and tail of the..... More
Guinness, 1952. Anthony Groves-Raines. Booklet : pp. 12 : Staple bound promotional booklet : Richly illustrated throughout : Protective plastic slip. Open tear to bottom corner on front : Very light foxing to cover, front and back. One of those rare moments in history where beer and Alice in Wonderland come..... More
London: T. Fisher and Unwin, 1924. Cloth. The Atlantic Edition. Complete in 28 Volumes. Signed, limited edition. Uniformly bound in red buckram with the letters HGW embossed within a circle on the front cover and gilt titles to the spines. Most covers show insect damage and sunning to spines. Top..... More
Canberra: National Gallery of Australia, 2005. First Edition. Hardcover : pp.[i-iv] v-ix [3 blank] 1-187 [189] : Profusely illustrated throughout : Checklist of works : Paper cover boards with detail of ' The Bridge in-curve' 1930 on front and study for 'The Bridge in-curve' on back : Lime green endpapers..... More