Great Britain: Printed by Robert Dinwiddie & Co., 1957. Limited edition; Printed for Private Circulation. Hardcover (22 x 14cm), 87pp + (1) copyright, 2 maps, several photographic illustrations; blue leather, Royal crest in gilt and gilt lettering to top board. Corners ever so slightly bumped, head and foot of spine gently..... More
New York: American Colortype Company, ca. 1911. Original wraps. Octavo (297 x 190 mm.), [52 pp.], ill., card wrappers stapled then tied through three holes with fine cord. Very good, internally clean and bright, spotting to edges, 2 cm strip cut from boottom of tp, 7cm piece missing from upper..... More
Seoul: National Museum of Modern and Contemporary Art Foundation, 2014. White paper covered boards with typographical design. Quarto, 33 x 25.5 cm, 561 pp., ill., plan. “The inaugural exhibition of MMCA, Seoul, which was specifically prepared for its opening, consists of Connecting_Unfolding, an exhibition featuring the collaborative efforts of an..... More
London: John Lane The Bodley Head, 1920. 3rd Printing. Cloth. First published, March 1899; reprinted, October 1911, May 1920. Two uniform octavo volumes (29 x 22cm), The Early Work:15 pp, 157 plates (including port. frontis and tp). The Later Work: (18pp) unpaginated, 174 plates (including port. frontis and tp). Blue..... More
UMinnP, 1964. First Edition. Cloth. Octavo, xix, 393pp. Illus. Original cloth, dust-jacket worn, Kay Long [Easson] bookplate (Blake scholar). Heavily underlined. The Bible until Bentley’s Blake Books and Essick’s various books came along. More
Munich Berlin London New York: Prestel, 2003. Hardcover, large format (32 x 39cm), pp. [6] 11- 181 [1], richly illustrated with 131 full colour illustrations; blue cloth covered boards with lettering in gilt on the spine, illustrated endpapers, illustrated dust wrapper. Small (2mm) nibble mark on top edge of top..... More
[N. P.]: The William Blake Trust, 2009. William Blake. Facsimile. Folio, 95pp. Original quarter-maroon calf with black moiré silk-covered boards, with gilt lettered maroon-morocco label to top board, the spine also stamped in gilt; tongue and strap portfolio in full maroon calf containing 19 watercolours reproduced in facsimile, mounted within..... More
Clairvaux: Trianon Press, 1969. Facsimile. Folio, 17 colour plates, 9 pp. of commentary plus extra material: 23 additional proof sheets, 22 progressive plates, original stencil and guide sheet. Full brown morocco over boards with slipcase. This fasimile was made from copies held by Mrs Landon Thorne and Lord Cunliffe. The..... More
Clairvaux: Trianon Press, 1987. Folio, 22 facsimile hand coloured plates, loose in a folder as issued. Near fine (first plate has a bent corner) in a near fine (slightly rubbed) folder. The publication of Blake's last completed set of engravings formed an appropriate finale to the William Blake Trust's scheme..... More
Clairvaux: Trianon Press, 1972. 3 volumes, folio, with 116 colour facsimile leaves reproduced by collotype and hand-stencil colour, the text of the poems reproduced from copperplate with 3 additional printings to reproduce Blake’s pencilings and the tone of the paper. Marbled boards, morocco spines, slipcases, a fine set as issued..... More
London: Bensley for Cromek, 1808. William Blake. First Folio. Three quarter morocco. Folio, xiv, 36, (4) pp. marbled endpapers, a.e.g., with an etched portrait frontispiece after Phillips printed on India paper and an etched title-page (both moderately foxed), typographical title page, dedication to the Queen, List of Subscribers, the poem..... More
London: Hodder and Stoughton, 1969. First Edition. Octavo, hard cover (22 x 14cm), pp. iii (1, blank) 316; black cloth covered boards, lettering in argent on spine. LACKS DUST WRAPPER. Head of spine a tad brittle with a 3mm chip at the head of the front joint, starting at the..... More
Milan: Skira, c. 2004. Hardcover. Quarto (288 x 248 mm.), 455 [6] pp., ill., pictorial paper covered boards. Text in Italian and English. Cover title: published without separate title page. Near Fine, edges of boards lightly bumped. Pierre Huyghe (1962- ) is a French artist whose work includes film, photographs..... More
London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions. From 102 illustrations..... More
Roseville East: Craftsman House, 1995. Octavo, 29 x 26cm, apricot canvas boards with brick red title on spine, illustrated dust jacket ("Memory of Temple Downs" 1992), 160pp, 40 colour plates and 31 black and white figures. Robert Grieve (1924 - 2006) made significant contributions to the Australian contemporary art scene..... More
Mascot: Corbally Stourton Contemporary Art, 2001. First Edition. Large format hardcover quarto (30.6 x 30.6cm), pp. 132; blue and orange illustrated paper covered boards with white lettering on the spine, matching illustrated dust wrapper, orange endpapers with lettering in white, signed by the artist. Two indentations across bottom edge of front..... More
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Melbourne: Gryphon Books, 1975 [i.e. Septmeber 1979]. First Edition. Folio (57 x 40cm), (iv) 132pp [1 - 48, (2) Title page of Book Two, 49 - 70, (2) Title page of Book Three, 71 - 108, (2) Titile page of Book Four, 109 - 125, (1) Colophon. Profusely illustrated in..... More
London: Thames and Hudson, c. 1964. Quarto (285 x 237 mm.), 208 pp., 32 colour plates and 118 black and white plates, bibliography, exhibitions list, original cloth in col. ill. dustjacket. Good, light soiling to endpapers and light foxing throughout, all edges browned, top edge marked, dust jacket foxed on..... More
East Roseville: Gordon and Breach Arts International, 1993. First Edition. Hardcover 6mo (23 x 23.5cm), pp. 120, richly illustrated with reproductions of Garry Shead’s artwork; gold cloth covered boards with lettering in gilt on the spine, illustrated dust wrapper, navy endpapers. Head and tail very gently bruised; one small nick halfway..... More
Brisbane: Queensland University of Technology and Piper Press, 2011. First Edition. Hardcover (28.5 x 28.5cm), pp. 204; aubergine cloth covered boards with lettering in silver on the spine and front cover; pictorial dust wrapper featuring Robinson’s Creation landscape: The ancient trees, 1997, black spine with lettering in black; eggplant endpapers;..... More
Kent, Ohio: Kent State University, 1995. Large octavo, 28.5 x 22cm, black linen boards with white title on spine, green dust jacket with glass plate negative circa 1891 of a man and woman in formal attire, xxii 594pp, 272 illustrations (photography). Dust jacket has a 2cm vertical tear along the joint..... More
South Yarra: Macmillan Art Publishing, 2005. Tall hardcover, 35.5 x 25cm, navy blue canvas boards with title and illustration in argent on the top board and title in argent on the spine, illustrated dust-jacket, 264pp, 431 illustrations. Considered one of Australia's greatest living painters, and winner of the 2005 Archibald..... More
Niles, Illinois: Argus Communications, c. 1974. First Edition. Octavo (267 x 160 mm.), 559 pp. Cloth in colour dustjacket. Very good in good dust jacket, edges spotted, dj rubbed and scratched with chipping from upper and lower edges, now protected in plastic cover. A cult classic. Speculative fiction about a...... More
Tokyo: Mori Art Museum, 2017. First Edition. Cardboard covers. Octavo (283 x 210 mm.), 272 pp., ill., bibliography, loosley inserted is a 16 pp. booklet of reproductions of drawings (150x 100 mm.) sewn through the spine. Illustrated card wrappers in open spine binding with drafting paper (233mm high) wraparound with..... More
Sydney: Ant Press, 1991. Cloth. Concertina folding broadside with a designer binding of cloth bound boards, embossed title and cut out paper design. Letterpress with original woodblock print. Limited edition 37/55, signed by the author/artist. Made in collaboration with Catnip Press. "This short poem celebrates the importance of trees." Monica Oppen. Monica..... More