n.d. Recently recased in full calf and with new linen joins, this charming album has seventeen thick card leaves, each with a window for a photograph. Original endpapers and brass hinge have been preserved, and eight of the leaves have delightful borders of flowers and butterflies. Minor scattered foxing and..... More

Carlton: Melbourne University Press on behalf of The Library Council of Victoria, 1979. First Edition. Large format hardcover (30.5 x 23cm), pp. (xiv), 224, [2, blank]; brown flecked, beige cloth covered boards, lettering on the spine and front cover in white; puce pictorial dust wrapper with lettering in white featuring..... More

Clairvaux: Trianon Press, 1987. Folio, 22 facsimile hand coloured plates, loose in a folder as issued. Near fine (first plate has a bent corner) in a near fine (slightly rubbed) folder. The publication of Blake's last completed set of engravings formed an appropriate finale to the William Blake Trust's scheme..... More

Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary slightly (approximately 37 x 29cm), print size of plate 14 is 23 x 16.8cm Currently one copy each of plates 1, 2, 3, 4, 5, 6, 8, 10, 11, 12, 13, 14, 15 and 16 are available. The..... More

Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 37 x 28.5cm), print size plate 9 is 23.5 x 16.5cm Currently one copy each of plates 8 and 9 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of..... More

Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 35 is 23.5 x 18cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More

Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 50 is 23.8 x 17.7cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More

Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary, print sizes are approximately 12 x 7.5cm. Currently one copy each of plates 12, 13, 17, 21 and 35 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing as..... More

Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 40 x 28cm), print size plate 20 is 14.3 x 10.2cm Currently one copy each of plates 1, 2, 3, 4, 5, 10, 14, 15, 16 and 20 are available. The Blake Trust established the Trianon Press..... More

Manchester Etching Workshop, 1983. Facsimile. 2 vols., large and smaller quarto, the larger bound in full red morocco, the smaller loose in wrappers as issued, both enclosed in brown cloth folding boxes, new as issued. With an additional folder containing one facsimile plate and the Viscomi text. Some of the..... More

London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions. From 102 illustrations..... More

London & New York: The Studio/Studio Publications, n.d. Cloth. Water colour by Australian illustrator Maivs Dowling tipped in at the front gutter. Hardcover (29.5 x 20.5cm), 128pp, richly illustrated with b&w photographs; red cloth covered boards with lettering in blue on the spine. Lacks dustwrapper, the head and tail of the..... More

New York City: ipso facto, 1998. Diecut card covers in slipcase with paper label, 186pp (unpaginated), text in French and English. Slight wear to the bottom edge of the top cover, otherwise fine. According to their shorte biographies at the rear of the book, Garçon is a designer who dresses..... More