Australia: Thames and Hudson, 2018. First Edition. Hardcover: pp. [1] 2-271, [272] : Colourfully illustrated throughout; Paper covered boards and spine with detail from Mary Tokin's painting, Pushmi Pullyu, Kalorama 2015., and lettering in white. Art curator Amber Creswell Bell's second book A Painted Landscape profiles the work of 50..... More
UMinnP, 1964. First Edition. Cloth. Octavo, xix, 393pp. Illus. Original cloth, dust-jacket worn, Kay Long [Easson] bookplate (Blake scholar). Heavily underlined. The Bible until Bentley’s Blake Books and Essick’s various books came along. More
London: Jonathan Cape, 1996. First Edition. Hardcover : pp. [1-6] 7-360; 290 'plates'; List of plates; Black cloth covered boards with bold white lettering; white lettering on spine; dust jacket with full illustration on front and spine, photo of the artist on the back (photo by Susanna Chancellor). All edges..... More
Clairvaux: Trianon Press, 1987. Folio, 22 facsimile hand coloured plates, loose in a folder as issued. Near fine (first plate has a bent corner) in a near fine (slightly rubbed) folder. The publication of Blake's last completed set of engravings formed an appropriate finale to the William Blake Trust's scheme..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 37 x 28.5cm), print size plate 8 is 22 x 16cm Currently one copy each of plates 2, 4, 6, 8, 9, 14, 15, 18, 19, 21, 22, 23, 24, 25, and one unnumbered plate are available..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 3 is 23.3 x 17.5cm. 2cm tar to foot of the paper, print not affected. Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 19 is 23.4 x 17.3cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 35 is 23.5 x 18cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 64 is 21.2 x 15.4cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary, print sizes are approximately 12 x 7.5cm. Currently one copy each of plates 12, 13, 17, 21 and 35 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing as..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary slightly (approximately 39 x 30cm), print size of plate 1 is 20 x 16.3cm Currently one copy each of plates 1, 2, 9, 11, 13, 18, 20 and 21 are available. The Blake Trust established the Trianon Press..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 40 x 28cm), print size plate 2 is 15 x 10cm Currently one copy each of plates 1, 2, 3, 4, 5, 10, 14, 15, 16 and 20 are available. The Blake Trust established the Trianon Press..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary, print size plate 25 is 18 x 11.7cm Currently one copy each of plates 5, 10, 16, 24 and 25 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary, print size plate 5 is 17 x 12cm Currently one copy each of plates 5, 10, 16, 24 and 25 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing..... More
Clairvaux: Trianon Press, 1959. Facsimile. Folio, 11 plates, 7 pp. text [Geoffrey Keynes], plus the extra materials: 11 plates in monochrome and a suite of 26 progressive states of one plate. Full orange morocco, marbled slipcase, some foxing internally and to the edges. Limited to 446 copies of which this..... More
Clairvaux: Trianon Press, 1971. Facsimile. Quarter calf. Small folio, 72 pages, with 16 colour facsimile leaves, suites of progressive plates, and 116 monochrome illustrations. Marbled boards, morocco spine, slipcase, internally fine. Spine is lightly sunned with three small stains on the spine, the largest being 1 cm x 0.5cm and..... More
London: 1821. 2 vols., small octavo, xii (lacking vii/viii), 12, xxiv ( lacking i - iv), 214 pp; [I], [215]-592 pp. With an engraved frontispiece to each volume, and 230 illustrations including three maps (two folding), 17 woodcuts and 6 engraved plates by Blake, and four other designs by Blake..... More
Surrey: Gadoline Limited, 1971. Paperback, 162pp (unpaginated), richly illustrated with 134 black and white photographs of young women in flirtatious and immodest poses. Green and red wraps with colour photo illustration on the front cover. Two vertical creases in the spine, otherwise fine. The back cover promises "a wild experience"..... More
Santa Barbara: Black Sparrow Press, 1983. First Edition. 1/4 cloth. Original glassine wrapper a little worn at the top corners and head of spine. Cloth spine with paper label, blood orange eps, 133 pp., Billy Jones bookmark on front paste down (mass produced). One of 200 trade copies. Inscribed to..... More
London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions. From 102 illustrations..... More
London: Chapman and Hall, 1870. First Edition. Full calf. Octavo (20.8 x 13cm), pp. viii, 190, 14 illustrations including portrait frontispiece and vignette title-page, 2pp tipped in front wrapper of the original Part V of Edwin Drood, August 1870. Handsomely bound in full tan polished calf with five raised bands..... More
Germany: City Museum Munich, 1996. Ludwig Hohlwein. First Edition. Softcover: pp. [1-5] 6-293 [294]; Richly illustrated throughout; text in German; Beige wraps with green illustration and green and red lettering on upper wraps; illustration on lower wraps black and grey; Red lettering on spine. Slighly bent bottom corner on upper wrap..... More
Princeton: Princeton University Press, 1983. Cloth. Large quarto, xxviii, 302 pp. With 114 illustrations of which 9 are in colour. Original cloth, dust-jacket. The definitive work, expanding and correcting Keynes. Bentley, Blake Books Supplement, page 301: “a magisterial work.”. More
London: Sidgwick and Jackson Ltd, 1984. First UK Edition. Pictorial cover. Tall softcover (30 x 22cm); 256pp., richly illustrated with photographs from the tour; laminated glossy covers with Bowie on the front cover and the album cover artwork on the back cover. Laminate lifting along the joints, leaves showing a hint..... More
London: Allen Lane, The Penguin Press, 2000. First U.K. Edition. Octavo (24.1 x 16.5 cm); pp. xvi, 559; front page edges untrimmed; hard cover, bound in black boards with quarter spine off-white fabric, titled and decorated in gilt; the illustrated dust wrapper shows details of the central panel of The..... More