Santa Cruz: The Good Book Press, 1986. Limited Edition. Miniature Book (7.5 x 6.7cm or 3 x 2 5/8 inches); Unpaginated [4, blank] [10pp] [2, blank]; two linoleum cuts by Donna Thomas; printed on paper made by Peter; Hand-made paper over boards; lettered in black on spine; black device on..... More
Full leather. A Grand Tour photo album containing 401 photographs taken predominately in Italy, England and Egypt with some photos from Adelaide and on board the SS Caprera as it crossed the Indian Ocean. Places visited include Harrow, Cambridge, Igtham, Cantebury, Fawley, Henley, Bellagio, Ravenna, Lake Orta, San Gimignano, Mentone..... More
[N. P.]: The William Blake Trust, 2009. William Blake. Facsimile. Folio, 95pp. Original quarter-maroon calf with black moiré silk-covered boards, with gilt lettered maroon-morocco label to top board, the spine also stamped in gilt; tongue and strap portfolio in full maroon calf containing 19 watercolours reproduced in facsimile, mounted within..... More
Clairvaux: Trianon Press, 1969. Facsimile. Folio, 17 colour plates, 9 pp. of commentary plus extra material: 23 additional proof sheets, 22 progressive plates, original stencil and guide sheet. Full brown morocco over boards with slipcase. There is a 2mm dint on the spine at the "r" in "Trianon" This facsimile was..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 37 x 28.5cm), print size plate 6 is 22.2 x 16cm Currently one copy each of plates 2, 4, 6, 8, 9, 14, 15, 18, 19, 21, 22, 23, 24, 25, and one unnumbered plate are available..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 12 is 23.5 x 17.5cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 35 is 23.5 x 18cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 46 is 23.5 x 17.4cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 63 is 23.5 x 16cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary (approximately 34 x 28.5cm), print size of plate 92 is 21.5 x 15.9cm Currently one copy each of plates 3, 8, 9, 11, 12, 14, 15, 19, 20, 30, 33, 35, 41, 44, 46, 50, 51, 58, 59..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary, print sizes are approximately 12 x 7.5cm. Currently one copy each of plates 12, 13, 17, 21 and 35 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing as..... More
Clairvaux: Trianon Press. Hand stencil (pochoir) prints on hand-mould paper. Paper sizes vary, print sizes are approximately 12 x 7.5cm. Currently one copy each of plates 12, 13, 17, 21 and 35 are available. The Blake Trust established the Trianon Press in the mid-twentieth century with the aim of reproducing as..... More
Manchester Etching Workshop, 1983. Facsimile. 2 vols., large and smaller quarto, the larger bound in full red morocco, the smaller loose in wrappers as issued, both enclosed in brown cloth folding boxes, new as issued. With an additional folder containing one facsimile plate and the Viscomi text. Some of the..... More
Clairvaux: Trianon Press, 1959. Facsimile. Folio, 11 plates, 7 pp. text [Geoffrey Keynes], plus the extra materials: 11 plates in monochrome and a suite of 26 progressive states of one plate. Full orange morocco, marbled slipcase, some foxing internally and to the edges. Limited to 446 copies of which this..... More
London: John Murray, 1813. Half leather. Octavo, (8) Comprising 2 blank, half title, 1 blank, title page, 1 blank, Dedication, 1 blank, Contents, lv, (1) Blank, 525pp, (1) Errata, (4) Blank. Rebound in half leather with cloth boards, original bookplates and ownership inscription re-mounted. The blanks and half title are..... More
Santa Barbara: Black Sparrow Press, 1979. First Edition. 1/4 cloth. Cloth spine with paper label, red eps, 133 pp. Of 200 hardcover copies numbered and signed by the author this is 20. Original glassine wrapper in good condition.Occasional marginalia from Billy Jones in his distinctive text. Light foxing. From the..... More
London: Commissioned by John Linnell, 1838 or 1892. Large folio, fine, clear uniform impression on India paper, mounted on wove paper. Incomplete at the time of his death, Blake’s illustrations for the Divine Comedy, commissioned by John Linnell, are some of his finest and most affecting inventions. From 102 illustrations..... More
London: The Folio Society, 2005. Fourth Folio printing of second revised edition. Hardcover in slipcase : pp. xxii (Preface by Julian Barnes), 265; decorations by John Minton, watercolours by Sophie MacCarthy : Cloth spine lettered in gilt over illustrated paper covered boards; forest green endpapers; stitched headband in alternating green..... More
Oslo, Norway: Aschehoug, 1998. Third Edition. Hardcover : pp. [4] i-xi, [3] 11-346 [347-348] : Illustrated throughout including more than 80 in colour : Quarto : Brown cloth covered boards with detail from 'Study' (1990) and embossed lettering : Spine with gilt lettering : Brown and black marbling effect on..... More
![Archive] First Crossing of Australia's Simpson Desert by Ted Colson, 1936 [together with] photos...](/pictures/thumb/273_Ted_10.JPG?v=1535436283)
In mylar pockets. **Aboriginal and Torres Strait Islander viewers are advised that this archive contains images of people who have died. Small archive of thirteen photographs (12 x black and white, 1 x colour). Eight 1500 x 1600mm images (seven desert crossing images and one homestead image) and four 500x500mm taken..... More
Princeton, Wisconsin: Kitchen Sink Press, 1988. Hardcover (26 x 18cm); pp. 139, [5, blank]; stiff, gloss cloth covered boards, brown, black and blue illustrated covers with lettering in black, white and yellow; light peach endpapers; number 600 of 1250 signed copies as noted on a bookplate illustrated by Eisner and..... More
Spit Junction: The Craftsman’s Press, 1983. First Edition. Large format hardcover, pp. 168 including frontispiece featuring photograph of Lloyd Rees taken by Max Dupain; blue cloth covered boards with embossed silver lettering on the spine, lettering and border on the front cover, grey textured endpapers, in a blue cloth presentation..... More
Sydney: The Beagle Press, 2010. First Edition secound printing. Hardcover : pp. [1-5] 6-252; Over 200 colour illustrations plus documentary photographs; Black boards; Dust wrapper with detail from 'Explorer Attacked by Parrots' (1960); Black spine with red and white lettering. Former owne'rs name written on the front paste-down in pen. "Gavin..... More
London: Nicholson and Watson, 1943. First U.K. Edition, First Printing. First UK edition. Octavo, 19cm x 12cm, red cloth with black titles to spine, unclipped dust-jacket, 191pp, last page used as paste-down, as issued, war economy standard issue. The dust-jacket is worn along the edges, chipped at the head of..... More
London: Sampson Low, Marston, Low, & Searle, 1875. Octavo, rebound in blue boards, pp [vii] [351]; 3 pages of Statistics; 40 pp advertisements; 3 maps (4th map missing); 8 plates incl frontis. LACKS TITLE PAGE. In very good condition except for missing title page and fourth map. Last two pages of..... More