Mascot: Corbally Stourton Contemporary Art, 2001. First Edition. Large format hardcover quarto (30.6 x 30.6cm), pp. 132; blue and orange illustrated paper covered boards with white lettering on the spine, matching illustrated dust wrapper, orange endpapers with lettering in white, signed by the artist. Two indentations across bottom edge of front..... More
Boston; Melbourne: Chateau Bosgouet: The Lytlewode Press, 2014. Folio, pp. [viii], 32, [8], frontispiece, title page printed in red and black, illustrated with four original Andrew Sibley hand coloured and signed linocuts; gilt illustrated full leather binding, green endpapers. Housed in a bespoke clothbound clamshell box which also contains the..... More
London, Paris, New York, Melbourne: Cassell and Company, Limited, nd. Quarto (31 x 23.5cm), xlvii, 152pp., 250 plates, alledges gilt; three quarter red leather over red pebbled boards, gilt lettering to top board and spine, five raised bands separated by gilt decorated panels, marbled endpapers with leather strip at the..... More
Sydney: The Shepherd Press, 1948. De-luxe Edition. Quarto, gilt-lettered leather, 144pp., with 23 black and white drawings and 5 colour plates by Norman Lindsay. Signed by author and artist. Some rubbing to head and foot of the spine and to the corners, leaves slightly toned, a few foxmarks to endpapers; boards..... More
Eindhoven: Stedelijk Van Abbemuseum, c.1992. Glossy pictorial cover. Octavo (263 x 216 mm.), 116pp, ill., bibliography, pictorial glossy paper covered boards. Very good, boards lightly scuffed and marked, top edge soiled, top back fore edge corner bumped, top of spine with light wear. Published on the occasion of an exhibition..... More
Hong Kong: communion w ltd, 2005. Custom. Large octavo (32cm x 25cm), white boards, stitched natural fabric cover, with title printed on front and spine, 288pp (including endpapers), lavishly illustrated with sketches, still photographs and performance photos. A beautiful record of costume designer Wada’s works in the decade leading up..... More
Roseville East: Craftsman House, 1995. First Edition. Large Hardcover (29 x 26cm), pp. (5) 6 – 271 (1, blank); grey boards with title in argent on spine, sunny orange endpapers, illustrated dust wrapper (front: Self Portrait with Goose Feathers; back: Morning Landscape Beechmont). Small dint (3mm – 1mm) at the..... More
New York: Harry N. Abrams, 1963. First American Edition. Quarto, with more than 1,250 illustrations including 53 tipped-in full-page colour Plates, 30 x 22 x 6.6 cm, 775 pages, weight 3.32 kg, hard cover, colour dust jacket with image of At Cock’s Crow 1944 on front and full-page b/w photograph..... More
Spit Junction: The Craftsman’s Press, 1983. First Edition. Large format hardcover, pp. 168 including frontispiece featuring photograph of Lloyd Rees taken by Max Dupain; blue cloth covered boards with embossed silver lettering on the spine, lettering and border on the front cover, grey textured endpapers, in a blue cloth presentation..... More
London: Lund Humphries, 1971. First English Language Edition. Translated by Janet Seligman, both volumes thick quarto, 26 x 21.8 cm, hard cover with colour & b/w photographic dust jackets, black cloth with gilt titles on spines. A little narrow discolouration of top edges of both jackets. Vol. 1: ix 473 pages..... More
Melbourne: Miegunyah and the Heide Museum of Modern Art, 2009. First Edition. Almost square hardcover(22.3 x 21.5cm); pp x, 309, (1), cobalt endpapers and all edges dyed cobalt, richly illustrated; glossy hardcover illustrated with a detail from Robert Rooney's After Colonial Cubism (1993). Top board has a 2mm abrasion to the..... More
Brisbane: Queensland University of Technology and Piper Press, 2011. First Edition. Hardcover (28.5 x 28.5cm), pp. 204; aubergine cloth covered boards with lettering in silver on the spine and front cover; pictorial dust wrapper featuring Robinson’s Creation landscape: The ancient trees, 1997, black spine with lettering in black; eggplant endpapers;..... More
London: Faber and Faber, 1988. first edition published in England. Quarto, 34 x 25 cm, 336 pp., 602 illustrations including 64 plates in colour, hard cover in reddish-brown cloth, gilt titling on spine, colour dust wrapper with a front cover view of Brancusi’s Studio, Musée National d’Art Moderne, Paris, and..... More
New York and Tokyo: Weatherhill, 1975. First English Language Edition. Jean Boisselier, Professor of the Sorbonne and Director of the French Archaeological Mission in Thailand, with commentaries by Jean-Michel Beurdeley and photographs by Hans Hinz. First English language edition translated by James Emmons from the original French edition of 1974..... More
South Yarra: Macmillan Art Publishing, 2005. Tall hardcover, 35.5 x 25cm, navy blue canvas boards with title and illustration in argent on the top board and title in argent on the spine, illustrated dust-jacket, 264pp, 431 illustrations. Considered one of Australia's greatest living painters, and winner of the 2005 Archibald..... More
Sydney: The Beagle Press, 1990. First Edition. Special collector’s edition, number 43 of 100 copies numbered and signed by the author and artist. Large format hardcover (32.5 x 25.5cm including slipcase), pp. 128; black cloth covered boards with lettering in gilt on the spine and front cover presented in matching..... More
Ravensburg, Germany: Hatje Cantz Verlag, 2000. Octavo (24.5 x 16.5cm), pp. 135 (1, copyright page), 70 illustrations; hot pink boards illustrated with Female Head with Flowers c.1958 on top board, lettering in black on spine, plain endpapers, TEXT IN GERMAN. The pink has lifted in tiny patches (1-2mm) on each of..... More
New York, Berkeley, Los Angeles, London: Whitney Museum of American Art in association with the University of California Press, 2002. Softcover (28.5 x 25cm), 240pp, richly illustrated with 88 colour illustrations and 22 in black and white; card covers with french folds illustrated with a detail of untitled (1960). Hint of..... More
London: London College of Printing and Goldsmith's College, 1978. First Edition. 1/4 cloth. Translated by Ronald Knox. [3] blank, [36]pp, [3] blank, mustard coloured paper covered boards, cloth spine, paper label on spine, speckled endpapers. Printed in 18pt Bembo type with 60pt. initials. Sixteen lithograph illustrations printed at Goldsmith's College..... More
Sydney: Ant Press, 1991. Boards. Concertina folding broadside with a designer binding of board covers with paper design. Letterpress with original print. Limited edition 35/55, signed by the author/artist. Made in collaboration with Catnip Press. Near Fine. Slight bow to the boards. "This small book celebrates the importance of trees..... More
Sydney: Ant Press, 1991. Cloth. Concertina folding broadside with a designer binding of cloth bound boards, embossed title and cut out paper design. Letterpress with original woodblock print. Limited edition 37/55, signed by the author/artist. Made in collaboration with Catnip Press. "This short poem celebrates the importance of trees." Monica Oppen. Monica..... More
![Songs of Innocence [with] Songs of Experience. Muir facsimile, William Blake](/pictures/thumb/453_Muir_10copy.jpg?v=1547507235)
London: 1927. The soft wraps are toned and pushed along the edges and corners, with a couple of minor (2mm) tears. 2 volumes, quarto. Songs of Innocence: 28 hand coloured plates, copied from the "Beaconsfield" original in the British Museum by Joseph Patrick Trumble, Muir, and William Muir. Songs of..... More
London: Constable & Co., 1927. Folio, gilt-lettered blue buckram, top edge gilt, 45 leaves of plates with accompanying title leaf, each a fine photogravure reproduction of a Norman Lindsay etching. Spine is sunned and some insect damage to cover. Foxing throughought is especially prominent on first three plates and the..... More
Sydney: Shepherd Press, 1945. Boards. Hardcover in original slipcase and dust-jacket. Tall octavo, 33.5 x 25cm, 81 un-paginated leaves including captioned guards, 14 tipped in colour plates, 16 half tone plates reproduced in black and white; with essays by Douglas Stewart and Norman Lindsay. Textured brown boards with gilt device..... More
Adelaide: Rigby, 1983. Cloth. Green boards, illustrated dustjacket, 119pp. Numerous in text and full page illustrations (colour and black and white). The back cover has a small indentation on the top edge 3cms from the joint and a second indentation0.5mm in diameter half way down the rear joint. A delightfully..... More